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Literary and Cultural Life in West Berlin

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Views of Berlin
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Abstract

Look at the map of Berlin. Follow the border between East Berlin and West Berlin. Better still, walk along the border. You will find that West Berlin forms a large semicircle around the city center of Mitte, as can be seen on any map of Berlin since the mid-nineteenth century. Up until 1945 Mitte was also the cultural center of Berlin. West Berlin has been cut off from this center since 1945; its isolation was not, however, complete until the building of the Berlin wall in 1961, and for some years after the Second World War the outstanding places of cultural interest in the city center Berlin-Mitte remained places of all Berliners. The most important ones were the Friedrich-Wilhelm-University, today Humboldt University, founded in 1810, the museums, the former Prussian State Theaters, most of which were destroyed during the Second World War, e.g., the German State Opera (Deutsche Staatsoper). From 1945 to 1955 it was in the Admiralspalast on Friedrichstraße, but it was rebuilt and reopened in 1955 at its old location Unter den Linden. The German Theater (Deutsches Theater) on Schumannstraße, founded in 1883, survived the war. From 1949 to 1954, it housed the Berliner Ensemble of Bertolt Brecht and Helene Weigel which, since 1954, has found its place in the theater on Schiffbauerdamm. The Comic Opera (Komische Oper) on Behrenstraße, a house for opera, musicals, and ballet, reopened in 1947, the Metropol-Theater, a stage for operettas and musicals, in 1945 at the Colosseum, Schönhauser Allee. In 1955, it moved to the Admiralspalast when the German State Opera returned to its old location Unter den Linden, and it has been there since.

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Notes

  1. Dr. Ingeborg Drewitz, writer, coshaper, and coorganizer of democratic literary and cultural life in West Germany, died in 1986. The last proofs of this chapter were read by the editor and by Dr. Dietger Pforte, Director of the Section Literature, Library-and Archive-System at the Senate for Cultural Affairs, Berlin.

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  2. Registration of the theater premières in Berlin during the first twenty five years after the Second World War, edited by order of the Senate of Berlin, 1972, p. 12.

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  3. The information by Ingeborg Drewitz, a very reliable personality as well as a highly careful writer, can’t be doubted. However, all files of the Prälat in Schöneberg prior to 1953 having been discarded, and up to now no proof could be found that meetings of that congress also took place in the Prälat. Photographs show that the Deutsches Theater on Schumannstraße was at least its prominent “stage.” Testimonies about events in the Prälat in Schöneberg would be highly appreciated.

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  4. From the beginning of the fifties up to approximately 1956, some writers and one musician met for literary workshops at least twice if not four times a month in the homes of members. Hence, twelve was set as the upper limit for the number of participants in a meeting. The Group of 12 never made its public appearance. As Bernhard Drewitz remembers, it started after the Working Group of Young Artists, founded in 1947, had split. “Motor” of the Group of 12 was Joachim Cadenbach. Besides him, Arnim Juhre and Ingeborg Drewitz kept the group alive for some years. Some others joined the meetings quite regularly, among them Johannes Hendrich, Jens Rehn, Alice Frommholz, and Maria König, the life companion of J. Cadenbach. They were the core of the Group of 12.

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  5. These readings took place from 1964 until 1966. The organizers were Burkhard Mauer, who later became a dramatic producer, and a student named Wege. The readers came from both half-cities and from the GDR as well as from the FRG. From the GDR came, e.g., Paul Wiens, Johannes Bobrowski, Volker Braun, Sarah and Rainer Kirsch, Jens Gerlach, Karl Mickel, Günther Deike, and Heinz Czechowski; from West Berlin, e.g., Friedrich Christian Delius, Marianne Eichholz, Günter Grass, Christoph Meckel, and Volker von Törne. The most spectacular event was probably a discussion on February 5, 1965, in the Academy of Arts, directed by Uwe Johnson and with the participation of Paul Wiens and Günter Grass.

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© 1989 Springer Science+Business Media New York

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Drewitz, I. (1989). Literary and Cultural Life in West Berlin. In: Kirchhoff, G. (eds) Views of Berlin. Birkhäuser, Boston, MA. https://doi.org/10.1007/978-1-4899-6715-2_11

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  • DOI: https://doi.org/10.1007/978-1-4899-6715-2_11

  • Publisher Name: Birkhäuser, Boston, MA

  • Print ISBN: 978-1-4899-6717-6

  • Online ISBN: 978-1-4899-6715-2

  • eBook Packages: Springer Book Archive

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