Advertisement

Psychological Acoustics

  • John M. Eargle

Abstract

The field of psychological acoustics, or psychoacoustics, is extremely broad, encompassing many disciplines. Our approach here is to limit the subject to aspects of special interest to those involved in music technologies, such as recording, broadcasting, sound reinforcement, and electronic music.

Keywords

Sound Source Sound Pressure Level Pure Tone Basilar Membrane Precedence Effect 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References Cited

  1. Blumlein, A. 1931. British Patent Specification No. 394,325 (Directional effect in sound systems). J. Audio Engineering Society 6, no. 2:91–98 (1958).Google Scholar
  2. Haas, H. 1949. “The Dependence of a Single Echo on the Audibility of Speech.” J. Audio Engineering Society 20, no. 2 (reprint).Google Scholar
  3. Terhardt, E. 1979. “Calculating Virtual Pitch.” Hearing Res. 1:155.CrossRefGoogle Scholar
  4. Ward, W., and E. Burns. 1982. “Absolute Pitch.” Psychology of Music. New York: Academic Press.Google Scholar

Recommended Reading

  1. Backus, J. 1969. The Acoustical Foundations of Music. New York: Norton.Google Scholar
  2. Bauer, B. 1956. “Phasor Analysis of Some Stereophonic Phenomena.” J. Acoustical Society of America 33, no. 11.Google Scholar
  3. Bekesy, G. 1960. Experiments in Hearing. New York: McGraw-Hill.Google Scholar
  4. Benson, K. 1988. Audio Engineering Handbook. New York: McGraw-Hill.Google Scholar
  5. Beranek, L. 1962. Music, Acoustics, and Architecture. New York: John Wiley & Sons.Google Scholar
  6. Berg, R., and D. Stork. 1982. The Physics of Sound. Englewood Cliffs, NJ: Prentice-Hall.Google Scholar
  7. Blauert, J. 1983. Spatial Hearing. Cambridge: MIT Press.Google Scholar
  8. Dowling, W., and D. Harwood. 1986. Music Cognition. New York: Academic Press, Inc.Google Scholar
  9. Gardner, M. 1973. “Some Single-and Multiple-Source Localization Effects.” J. Audio Engineering Society 21, no. 6: 430–37.Google Scholar
  10. Pierce, J. 1983. The Science of Musical Sound. New York: Scientific American Books.Google Scholar
  11. Roederer, J. 1973. Introduction to the Physics and Psychophysics of Music. New York: Springer-Verlag.CrossRefGoogle Scholar
  12. Sandel, T., et al. 1955. “Localization of Sound from Single and Paired Sources.” J. Acoustical Society of America 27: 842–52.CrossRefGoogle Scholar
  13. Schubert, E., ed. 1979. Psychological Acoustics. Stroudsburg, PA: Dowden, Hutchinson, and Ross.Google Scholar
  14. Stevens, S., and H. Davis. 1983. Hearing, Its Psychology and Physiology. New York: American Institute of Physics. Reprint.Google Scholar
  15. Stevens, S., and J. Volkman. 1940. “The Relation of Pitch to Frequency: A Revised Scale.” American Journal of Psychology 53: 329–53.CrossRefGoogle Scholar
  16. Winckel, F. 1967. Music, Sound and Sensation: A Modern Exposition. New York: Dover.Google Scholar

Additional Resources

  1. Auditory Demonstrations. 1987. Compact disc available from Acoustical Society of America.Google Scholar

Copyright information

© Springer Science+Business Media New York 1995

Authors and Affiliations

  • John M. Eargle

There are no affiliations available

Personalised recommendations