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Principles of Music and Speech Editing

  • John Eargle

Abstract

The advent of 0.6-cm (0.25-inch) magnetic tape recording after World War II brought with it the ready capability of editing, and a new creative world was opened to the record industry. Wrong notes could be corrected, noises removed, and the best sections of musical works joined together. Not everyone hailed this as a musical advantage, but there is no disputing that recording standards, not to mention consumers’ expectations, have been raised through the skillful editing and assembly of the best takes. The vast majority of musical artists embrace the notion thoroughly.

Keywords

Musical Work Tape Speed Musical Artist Magnetic Tape Recording Digital Editing 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Bibliography

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    K. Tanaka, et al. ,”On Tape-Cut Editing with a Fixed Head Tape PCM Tape Recorder,” IEEE Transactions ASSP, vol. 27, no. 6 (1979).Google Scholar

Copyright information

© Springer Science+Business Media New York 1992

Authors and Affiliations

  • John Eargle

There are no affiliations available

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