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Recording Studio Design Fundamentals

  • John M. Eargle

Abstract

Regardless of scale, the requirements for successful studio operation are basically the same. A low-cost studio in the home environment deserves the same acoustical and technological considerations as a multichannel installation in a major metropolis if both are to successfully deliver useful services.

Keywords

Buffer Zone Transmission Loss Concrete Slab Wood Floor Octave Band 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Bibliography

  1. J. Borwick (ed.), Sound Recording Practice, Oxford University Press, London (1988).Google Scholar
  2. J. Cooper, Building a Recording Studio, Recording Institute of America, New York (1978).Google Scholar
  3. A. Everest, Handbook of Multichannel Recording, TAB, Blue Ridge Summit, PA (1975).Google Scholar
  4. C. Harris, Handbook of Noise Control, McGraw-Hill, New York (1979).Google Scholar
  5. V. Knudsen and C. Harris, Acoustical Designing in Architecture, Wiley, New York (1950).Google Scholar
  6. M. Rettinger, Acoustic Design and Noise Control, Chemical, New York (1973).Google Scholar
  7. J. Woram, Handbook of Sound Recording, Sams, Indianapolis (1989).Google Scholar

Copyright information

© Chapman & Hall, New York, NY 1996

Authors and Affiliations

  • John M. Eargle

There are no affiliations available

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