Advertisement

Suggestions for Remote Classical Recording

  • John M. Eargle

Abstract

Chapters 3 and 25 have already discussed in detail the various acoustical alterations that can be made in any recording space, whether it be a studio or a remote venue. While the studio will already be equipped for recording activities, the remote venue will most likely not be. In this chapter we will discuss the many things that all of us have learned the hard way—from experience—in making the remote venue a workable thing.

Keywords

Control Room Wiring Harness Session Setup Microphone Position General Hint 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Copyright information

© Chapman & Hall, New York, NY 1996

Authors and Affiliations

  • John M. Eargle

There are no affiliations available

Personalised recommendations