Abstract
This chapter is concerned with the nature of the language of expressive qualities in music. Its three sections consist of (I) Theoretical introduction; (II) Experimental work in the study of dynamic expressive form; (III) Applications to music.
This is a preview of subscription content, log in via an institution to check access.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
References
Brown, B.L., and Lambert, W.E., 1976, A cross-cultural study of social status makers in speech, Can.J.Behav.Sci./Rev.Can.Sci.Comp., 8(1):
Brown, B.L., Strong, W.J., and Rencher, A.C., 1974, Fiftyfour voices from two: the effects of simultaneous manipulations of rate, mean fundamental frequency, and variance of fundamental frequency on rating of personality from speech, J.Acoust.Soc.Am., 55(2):
Clynes, M., 1968, Essentie form-aspects of control, function and measurennent. Proceedings of 29th Annual Conference of Engineering in Medicine and Biology, Houston, Texas.
Clynes, M., 1969a, Towards a theory of Man: Precision of essentie form in living communication, in: “Information Processing in the Nervous System,” K.N. Leibovic, and J.C. Eccles, eds.. Springer, New York.
Clynes, M., 1969b, Cybernetic implications of rein control in perceptual and conceptual organization, “Rein Control, Or Unidirectional Rate Sensitivity, A Fundamental Dynamic and Organizing Function in Biology,” M. Clynes, ed. Annals N.Y.Acad.Sci., 146(2):629–671
Clynes, M., 1970, Toward a view of Man, in: “Biomedical Engineering Systems,” M. Clynes, and J.H. Milsum, eds., McGraw-Hill Book Co., New York.
Clynes, M., 1973, Sentography: Dynamic forms of communication of emotion and qualities, Computers in Biol.and Med., 3: 119–130.
Clynes, M., 1973, Communications and generation of emotion through essentie form, in: “Emotions — Their Parameters and Measurement,” L. Levi, ed., Raven Press, New York.
Clynes, M., 1977, “Sentics: The Touch of Emotions,” Doubleday/Anchor, New York.
Clynes, M., 1980, The communication of emotion: Theory of sentics, in: “Theories of Emotion,” R. Plutchik, and H. Kellerman, eds., Academic Press, New York.
Cooke, D., 1959, “The Language of Music,” Oxford University Press, London and New York.
Dillon, H.A., 1979, “The Perception of Musical Transients,” Doct.thesis, University of New South Wales, Sydney.
Eibl-Eibesfeldt, I., 1973, The expressive behavior of the deaf-and-blind born, in: “Social Communication and Movement,” M.von Cranach, and I. Vine, eds.. Academic Press, New York.
Eibl-Eibesfeldt, L, 1980, Strategies of social interaction, in “Theories of Emotion,” R. Plutchik, and H. Kellerman, eds., Academic Press, New York.
Ekman, P., and Friesen, W.V., 1976, Measuring facial movement. Environ. PsychoL/Non-Verb.Behav., 1(1):
Ekman, P., Friesen, W.V., and Scherer, K.R., 1976, Body movement and voice pitch in deceptive interaction, Semiotica, 16:23–27.
Fonagy, L, and Magdics, K., 1963, Emotional patterns in intonation and music, Phonetik, 16:293–326.
Fonagy, I., 1976, la mimique buccale, Phonetica, 33:31–44.
Gabrielsson, A., 1979, Experimental research on rhythm, Human.Assoc.Rev., 30:69–92.
Kotlyar, G.M., and Morozov, V.P., 1976, Acoustical correlates of the emotional content of vocalized speech. So v. Phy s. Acou st., 22:208–211.
Langer, S.K., 1933, “Feeling and Form: A Theory of Art Developed from Philosophy in a New Key,” Routledge & Kegan Paul, London.
Langer, S.K., 1973, “Mind: An Essay on Human Feeling,” Vol 2, Johns Hopkins University Press, Baltimore.
Mozart, L., 1736, Violinschule, “A Treatise on the Fundamental Principles of Violin Playing,” trans. E.Knocker, 1948, Oxford University Press, London.
Osgood, C.E., May, W.H., and Miron, M.S, 1975, “Cross-Cultural Universals of Affective Meaning,” University of Illinois Press, Urbana.
Ostwald, P.F., and Peltzman, P., 1974, The cry of the human infant. Sci.Am. (March)
Piechowski, M.M., 1981. The logical and the empirical form of feeling, J. of Aesthetic Education. Vol.15, No 1, pp 31–53.
Plutchik, R., and Kellerman, H., eds., 1980, “Theories of Emotion,” Academic Press, New York and London.
Schenker, H., 1935, “Der Freie Satz,” Universal Edition, Vienna.
Scherer, K.R., 1979, Non-linguistic vocal indicators of emotion and psychopathology, in “Emotions in Personality and Psychopathology”. C.E. Tzard, ed.. Plenum Press, New York.
Schnabel, A., 1942, “Music and the Line of Most Resistance,” Princeton University Press, Princeton, N.J.
Schweitzer, A., 1905, “J.S. Bach, le poète,” Breitkopf & Härtel, Leipzig.
Williams, C.E., and Stevens, K.N., 1972, Emotions and speech: Some acoustic correlates, J. Acoust.Soc.Am., 52:1238–1250.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 1982 Springer Science+Business Media New York
About this chapter
Cite this chapter
Clynes, M., Nettheim, N. (1982). The Living Quality of Music. In: Clynes, M. (eds) Music, Mind, and Brain. Springer, Boston, MA. https://doi.org/10.1007/978-1-4684-8917-0_4
Download citation
DOI: https://doi.org/10.1007/978-1-4684-8917-0_4
Publisher Name: Springer, Boston, MA
Print ISBN: 978-1-4684-8919-4
Online ISBN: 978-1-4684-8917-0
eBook Packages: Springer Book Archive