In late July 1993, the museum had reached tentative agreement on how the Enola Gay should be exhibited. The planning document tried to spell that out in sixteen double-spaced pages. But those pages conjured up different expectations in each of us—Bob Adams, Monroe Hatch, the curators, and myself, to say nothing of the Japanese.
KeywordsAdvisory Committee Atomic Bomb Pearl Harbor Japanese City Fiftieth Anniversary
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