Abstract
There are many ways to rob the archaeological past. Robbery is not limited to pothunting—the literal stealing of material objects and selling them into oblivion. This kind of blatantly unethical activity not only divests the past of its material belongings, but divorced from their cultural contexts, stolen goods lose their potential for contributing to the essential questions of time, function, and meaning.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Adams, E.C. 1984. Archaeology and the Native American: A Case at Hopi. In Ethics and Values in Archaeology, ed. Ernestene L. Green, 236–242. New York: MacMillan/The Free Press.
Alpert, Barbara Olins. 2008. The Creative Ice Age Brain: Cave Art in the Light of Neuroscience. New York: Foundation 20 21.
Amsden, Charles Avery. 1934. Navajo Weaving: Its Technic and its History. Los Angeles: Fine Arts Press.
Anonymous. 2000. Elahkwa Zuni Veterans!: A Brief History of Zuni Warriors. The Shiwi Messenger 6(13): 12.
Applegate, Richard B. 1978. Atishwin: The Dream-Helper in South-Central California. Socorro: Ballena Press.
Arkush, Elizabeth. 2008. Warfare and Violence in the Americas. Book Review Essay. American Antiquity 73(3): 560–566.
Bendremer, Jeffrey C., and Kenneth A. Richman. 2006. Human Subjects Review and Archaeology: A View from Indian Country. In The Ethics of Archaeology: Philosophical Perspectives on Archaeological Practice, ed. Chris Scarre and Geoffrey Scarre, 97–114. Cambridge: Cambridge University Press.
Benedict, Ruth. 1934. Patterns of Culture. New York: Mentor Books.
Bernardini, Wesley. 2009. Hopi History in Stone: The Tutuveni Petroglyph Site, Arizona State Museum Archaeological Series, vol. 200. Tucson: Arizona State Museum, University of Arizona.
Bird-Romero, Allison. 1999. Jewelry. In Legacy: Southwest Indian Art at the School of American Research, ed. Duane Anderson, 151–169. Santa Fe: School of American Research.
Birth, Kevin K. 1990. Reading and the Righting of Writing Ethnographies. American Ethnologist 17(3): 549–557.
Bishop, Charles A., and Victor P. Lytwyn. 2007. “Barbarism and Ardour of War from the Tenderest Years”: Cree-Inuit Warfare in the Hudson Bay Region. In North American Indigenous Warfare and Ritual Violence, ed. Richard J. Chacon and Ruben G. Mendoza, 30–57. Tucson: University of Arizona Press.
Blackburn, Thomas C. 1975. Further Information on the deCessac Photograph. Journal of California Anthropology 2(1): 127–128.
Blinman, Eric. 2008. Galisteo Basin: Center of Collaboration and Conflict [an interview]. El Palacio 13(3): 54–61. Santa Fe, NM.
Bohr, Niels. 1987. The Philosophical Writings of Niels Bohr: Essays 1933–1957 on Atomic Physics and Human Knowledge, vol. II. Woodbridge: Oxbow Press.
Boyd, Carolyn E. 2003. Rock Art of the Lower Pecos. College Station: Texas A & M University Press.
Brandt, Elizabeth A. 1980. On Secrecy and Control of Knowledge: Taos Pueblo. In Secrecy: A Cross-Cultural Perspective, ed. Stanton K. Tefft, 123–146. New York: Human Sciences Press.
Brodzky, Anne Trueblood, Rose Dansewich, and Nick Johnson. 1977. Stones, Bones, and Skin: Ritual and Shamanic Art. An Artscanada Book. Toronto: The Society for Arts Publications.
Brown, Michael F. 1998. Can Culture Be Copyrighted? Current Anthropology 39(2): 193–222.
Brown, Michael F. 2003. Who Owns Native Culture? Cambridge, MA/London: Harvard University Press.
Bunzel, Ruth L. 1932. Zuni Ritual Poetry. In Forty-Seventh Annual Report of the Bureau of American Ethnology for the Years 1929–1930, 611–835. Washington, DC.
Bunzel, Ruth L. 1933. Zuni Texts, Publications of the American Ethnological Society, vol. 15. New York: G.E. Stechert & Co.
Campbell, Alec, Larry Robbins, and James G. Workman. 2010. Rock Art at Tsodilo. In Tsodilo Hills: Copper Bracelet of the Kalahari, ed. Campbell Alec, Larry Robbins, and Taylor Michael, 94–115. East Lansing/Gaborone: Michigan State University Press/Botswana Society.
Carocci, Max. 2012. Warriors of the Plains: The Art of Plains Indian Warfare, McGill-Queen’s Native and Northern Series, vol. 67. Montreal, Quebec, Ontario: McGill-Queens University Press.
Castleton, Kenneth B. 1987. Petroglyphs and Pictographs of Utah: Volume 2: The South, Central, West, and Northwest. Salt Lake City: Utah Museum of Natural History. Revised edition.
Chacon, Richard J., and David H. Dye. 2007. The Taking and Displaying of Human Body Parts as Trophies by Amerindians, Inter-Disciplinary Contributions to Archaeology. New York: Springer.
Chacon, Richard J., and Ruben G. Mendoza. 2007a. North American Indigenous Warfare and Ritual Violence. Tucson: University of Arizona Press.
Chacon, Richard J., and Ruben G. Mendoza. 2007b. Latin American Indigenous Warfare and Ritual Violence. Tucson: University of Arizona Press.
Chacon, Richard J., and Ruben G. Mendoza. eds. 2012. The Ethics of Anthropology and Amerindian Research: Reporting on Environmental Degradation and Warfare. New York: Springer.
Chavarria, Antonio, and Mendoza Ruben. 2012. Ancestral Pueblos and Modern Diatribes: An Interview with Antonio Chavarria of Santa Clara Pueblo, Curator of Ethnology, Museum of Indian Arts and Culture, Santa Fe, New Mexico. In The Ethics of Anthropology and Amerindian Research: Reporting on Environmental Degradation and Warfare, ed. Richard J. Chacon and Ruben G. Mendoza, 395–426. New York: Springer.
Clews, Parsons Elsie. 1939. Pueblo Indian Religion. Chicago: University of Chicago.
Clottes, Jean, and J.David Lewis-Williams. 1998. The Shamans of Prehistory: Trance and Magic in the Painted Cave. New York: Harry Abrams.
Cojti Ren, Avexnim. 2004. Maya Archaeology and the Political and Cultural Identity of Contemporary Maya in Guatemala. http://www.mayainfo.org.
Cole, Sally J. 1990. Legacy on Stone. Boulder: Johnson Publishing.
Cole, Sally J. 2004. Origins, Continuities, and Meanings in Barrier Canyon Style Rock Art. In New Dimensions in Rock Art Studies, Occasional Paper Series 9, vol. 9, ed. Ray T. Matheny, 7–78. Provo: Museum of Peoples and Cultures, Brigham Young University.
Cole, Sally J. 2009. Legacy on Stone, 2nd ed. Boulder: Johnson Publishing.
Colton, Harold S. 1946. Fools Names like Fools Faces. Plateau 19: 1–8.
Colwell-Chanthaphonh, Chip, Julie Hollowell, and Dru McGill. 2008. Ethics in Action: Case Studies in Archaeological Dilemmas. Society for American Archaeology. Washington, DC: The SAA Press.
Cooper, David E. 2006. Truthfulness and ‘Inclusion’ in Archaeology. In The Ethics of Archaeology: Philosophical Perspectives on Archaeological Practice, ed. Scarre Chris and Scarre Geoffrey, 131–145. UK/New York: Cambridge University Press.
Cordy-Collins, Alana. 2010. The Sacred Deer Complex: Out of Eurasia. In Adventures in Pre-Columbian Studies: Essays in Honor of Elizabeth P. Benson, ed. Julie Jones, 139–160. Washington, DC: Pre-Columbian Society of Washington, DC.
Courlander, Harold. 1971. The Fourth World of the Hopis. New York: Crown Publishers.
Daniels, Helen Sloan. 1954. Pictographs. Appendix A. In Basketmaker II Sites Near Durango Colorado, ed. Earl H. Morris and Robert F. Burgh. Washington, DC: Carnegie Institution of Washington. Publication 604.
Darling, J. Andrew. 2009. O’odham Trails and the Archaeology of Space. In Landscapes of Movement: Trails, Paths, and Road in Anthropological Perspective, ed. James E. Snead, Clark L. Erickson, and J.Andrew Darling, 61–83. Philadelphia: University of Pennsylvania Museum of Archaeology and Anthropology.
Darling, J. Andrew, and Barnaby V. Lewis. 2007. Songscapes and Calendar Sticks. In The Hohokam Millenium, ed. Suzanne K. Fish and Paul R. Fish, 130–139. Santa Fe: School of Advanced Research.
Day, Kent C. 1963. Moqui Canyon and Castle Wash Survey. Appendix II. In 1961 Excavations, Glen Canyon Area, ed. Floyd Sharrock, Kent C. Day, and David S. Dibble, 237–305. University of Utah Anthropological Papers 63 (Glen Canyon Series #18). Salt Lake City: University of Utah Press.
Deloria Jr., Vine. 1969. Custer Died for Your Sins: An Indian Manifesto. New York: Avon.
Deloria Jr., Vine. 2003. God is Red: A Native View of Religion, 3rd ed. Golden: Fulcrum Publishing. 1st ed. 1973, Putnum Publishing Group, NY.
Demarest, Arthur A. 2007. Ethics and Ethnocentricity in Interpretation and Critique: Challenges to the Anthropology of Corporality and Death. In The Taking and Displaying of Human Body Parts as Trophies by Amerindians, ed. Richard Chacon and David Dye, 591–617. New York: Springer.
Demarest, Arthur A., and B. Woodfill. 2012. Sympathetic Ethnocentrism, Repression, and Auto-repression of Q’eqchi’ Maya Blood Sacrifice. In The Ethics of Anthropology and Amerindian Research: Reporting on Environment Degradation and Warfare, ed. Richard J. Chacon and Ruben G. Mendoza, 117–145. New York: Springer.
Devereaux, G. 1956. Normal and Abnormal: The Key Problem of Psychiatric Anthropology. In Some Uses of Anthropology: Theoretical and Applied, ed. J.B. Casagrande and T. Gladwin, 23–48. Washington, DC: Anthropological Society of Washington.
Devereaux, G. 1961. Shamans as Neurotics. American Anthropologist 63: 1088–1090.
Dowson, Thomas A. 1999. Off the Rocks, Onto T-Shirts, Canvasses, Etc. … Power and the Popular Consumption of Rock Art Imagery. In Rock Art and Ethics: A Dialogue. Occasional Paper, vol. 3, ed. William D. Hyder, 1–14. Tucson: American Rock Art Research Association.
Doyel, David E. 1983. The Evolution of Regional Diversity in the Prehistoric Southwest: Anasazi Pueblo and the Hohokam. In Proceedings of the Anasazi Symposium 1981, ed. Jack E. Smith, 43–48. Colorado: Mesa Verde Museum Association.
Echo-Hawk, Walter R. 1997. Indigenous and Non-Indigenous Rights, Responsibilities, and Relationships. N. Thompson Forum on World Issues. Lincoln: University of Nebraska-Lincoln.
Echo-Hawk, Roger C. 2000. Ancient History in the New World: Integrating Oral Traditions and the Archaeological Record. American Antiquity 65(2): 267–290.
Eliade, Mircea. 1964. Shamanism: Archaic Techniques of Ecstasy. Bollingen Foundation: Princeton University Press.
Emerson, Thomas E. 2007. Cahokia and the Evidence for Late Pre-Columbian War in the North American Midcontinent. In North American Indigenous Warfare and Ritual Violence, ed. Richard J. Chacon and Ruben G. Mendoza, 129–148. Tucson: University of Arizona Press.
Evans, Michael J., and Richard W Stoffle. 1992. Draft Ethnographic Assessment Summary: Double Eagle II Airport Proposed On-Airport Access Road. Unpublished report submitted to Coffman Associates, Phoenix.
Flood, Josephine. 1997. Rock Art of the Dreamtime: Images of Ancient Australia. New York: Angus & Robertson: HarperCollins.
Fowler, Don D. 1959a. Glen Canyon Main Stem Survey. In The Glen Canyon Survey, Part II, 474–542. University of Utah Papers in Anthropology 39 (Glen Canyon Series 6). Salt Lake City: The United States National Park Service and the University of Utah.
Fowler, Don D. 1959b. The Glen Canyon Archaeological Survey. In The Glen Canyon Survey, Part III, 1–93. University of Utah Papers in Anthropology 39 (Glen Canyon Series 6). Salt Lake City: The United States National Park Service and the University of Utah.
Fowler, Don D. 1986. History of Research. In Handbook of North American Indians: “Great Basin,” ed. Warren L. D’Azevedo, 15–30. Washington, DC: Smithsonian Institution.
Fowler, Don D., James H. Gunnerson, Jesse D. Jennings, Robert H. Lister, Dee Ann Suhm, and Ted Weller. 1959. In The Glen Canyon Survey, Parts I, II, III. University of Utah Papers in Anthropology 39 (Glen Canyon Series 6). Salt Lake City: The United States National Park Service and the University of Utah.
Francis, Julie E. 2001. Style and Classification. In Handbook of Rock Art Research, ed. David S. Whitley, 221–244. Walnut Creek, CA: Altamira Press.
Francis, Julie E. 2005. Pictographs, Petroglyphs, and Paradigms: Rock Art in North American Archaeology. In Discovering North American Rock Art, ed. Lawrence L. Loendorf, Christopher Chippindale, and David S. Whitley, 181–195. Tucson: The University of Arizona Press.
Francis, Julie E., and Lawrence L. Loendorf. 2002. Ancient Visions: Petroglyphs and Pictographs of the Wind River and Bighorn Country, Wyoming and Montana. Salt Lake City: University of Utah Press.
Frisbie, Charlotte J. 1987. Navajo Medicine Bundles or Jish: Acquisition, Transmission, and Disposition in the Past and Present. Albuquerque: University of New Mexico Press.
Furst, Peter T. (ed.). 1972. Flesh of the Gods: the Ritual Use of Hallucinogens. New York: Praeger.
Furst, Peter T. 1977. The Roots and Continuities of Shamanism. In Stones, Bones and Skin: Ritual and Shamanic Art, 1–28. Toronto: An Artscanada Book. Society for Art Publications.
Furst, Peter T. 1986. Shamanism, the Ecstatic Experience and Lower Pecos River Art: Reflections on Transcultural Phenomena. In Ancient Texans: Rock Art and Lifeways Along the Lower Pecos, ed. Harry J. Shafer, 210–225. San Antonio: Texas Monthly Press.
Gayton, Anna H. 1948. Yokuts and Western Mono Ethnography. Anthropological Records 10: 12–90.
Gebhard, David. 1969. Rock Art of Dinwoody, Wyoming. Santa Barbara: The Art Galleries, University of California.
Geertz, Armin W. 1994. The Invention of Prophecy: Continuity and Meaning in Hopi Indian Religion. Berkeley/Los Angeles/London: University of California Press.
Gossen, Gary (ed). 1986. Mesoamerican Ideas. Studies on Culture and Society, Vol. 1, Institute for Mesoamerican Studies, The University at Albany, State University of New York.
Gould, Richard A. 1990. Recovering the Past. Albuquerque: University of New Mexico Press.
Gould, Richard A., Don D. Fowler, and Catherine S. Fowler. 1972. Diggers and Doggers: Parallel Failures in Economic Acculturation. Southwestern Journal of Anthropology 28(3): 265–281.
Graves, Michael. 1994. New Directions in Americanist Archaeology. American Antiquity 59(1): 5–8.
Greer, Mavis, and John Greer. 2003. A Test for Shamanic Trance in Central Montana Rock Art. Plains Anthropologist 48(186): 105–120.
Gunnerson, James H. 1957. An Archaeological Survey of the Fremont Area, Anthropological Papers, vol. 28. Salt Lake City: University of Utah.
Gunnerson, James H. 1957. Excavations, Glen Canyon Area. University of Utah Anthropological Papers 43 (Glen Canyon Series 10). Salt Lake City: University of Utah.
Haas, Jonathan. 1990. Warfare and the Evolution of Tribal Polities in the Prehistoric Southwest. In The Anthropology of War, School of American Research Book, ed. Jonathan Haas. Cambridge, UK: Cambridge University Press.
Haas, Jonathan, and Winifred Creamer. 1993. Stress and Warfare Among the Kayenta Anasazi of the Thirteenth Century A.D, Fieldiana Anthropology, n.s., no. 21. Chicago: Field Museum of Anthropology.
Haas, Jonathan, and Winifred Creamer. 1996. The Role of Warfare in the Pueblo III Period. In The Prehistoric Pueblo World, ed. Michael Adler, 205–213. Tucson: University of Arizona Press.
Haas, Jonathan, and Winifred Creamer. 1997. Warfare Among the Pueblos: Myth, History, and Ethnography. Ethnohistory 44(2): 235–261.
Hall, Robert L. 1977. An Anthropocentric Position for Eastern United States Prehistory. American Antiquity 42: 499–518.
Harner, Michael J. 1973. Hallucinogens and Shamanism. London: Oxford University Press.
Hays-Gilpin, Kelley A. 2010. Behold the Brightly Shimmering Land: An Introduction. In Painting the Cosmos: Metaphor and Worldview in Images from the Southwest Pueblos and Mexico, ed. Kelley A. Hays-Gilpin and Schaafsma Polly, l–18. Flagstaff: Museum of Northern Arizona Bulletin. 67.
Hays-Gilpin, Kelley A., and Schaafsma Polly (eds.). 2010. Painting the Cosmos: Metaphor and Worldview in Images from the Southwest Pueblos and Mexico. Flagstaff: Museum of Northern Arizona Bulletin. 67.
Hedges, Ken. 1976. Southern California Rock Art as Shamanic Art. In American Indian Rock Art, 2 ed. Kay Sutherland:126–138. El Paso: American Indian Rock Art Association.
Hedges, Ken. 1982a. Great Basin Rock Art Styles: A Revisionist View. In American Indian Rock Art VII and VIII, ed. Frank G. Bock, 205–211. El Toro: American Rock Art Research Association.
Hedges, Ken. 1982b. Phosphenes in the Context of Native American Rock Art. In American Indian Rock Art VII and VIII, ed. Frank G. Bock, 1–10. El Toro, CA: American Rock Art Research Association.
Hedges, Ken. 1985. Rock Art Portrayals of Shamanic Transformation and Magical Flight. Rock Art Papers 2:83–94. San Diego: San Diego Museum of Man
Hedges, Ken. 1992. Shamanistic Aspects of California Rock Art. In California Indian Shamanism, ed. Lowell John Bean, 67–88. Menlo Park: Ballena Press.
Hedges, Ken. 1994. Pipette Dreams and the Primordial Snake-Canoe: Analysis of an Hallucinatory Form Constant. In Shamanism and Rock Art in North America, ed. Turpin Solveig, 103–124. San Antonio: Rock Art Foundation. Special Publication No. 1.
Hedges, Ken. 1999. Traversing the Great Gray Middle Ground: An Examination of Shamanistic Interpretation of Rock Art. In American Indian Rock Art, 27:123–136. Tucson: American Rock Art Research Association.
Hedges, Ken. 2001.Traversing the Great Gray Middle Ground: An Examination of Shamanistic Interpretation of Rock Art. American Indian Rock Art 27, eds. Steven M. Freers and Alanah Woody,123–136. Tucson: American Rock Art Association.
Heisenberg, Werner. 1958. Physics and Philosophy: The Revolution in Modem Science. New York: Harper and Row.
Heizer, Robert F., and Martin A. Baumhoff. 1962. Prehistoric Rock Art of Nevada and Eastern California. Berkeley: University of California Press.
Heizer, Robert F., and C.W. Clewlow Jr. 1973. Prehistoric Rock Art of California, vol. 2. Ramona: Ballena Press.
Helvenston, Patricia A., and Paul G. Bahn. 2002. Desperately Seeking Trance Plants: Testing the “Three Stages of Trance.” New York: Model. RJ Communications. LLC.
Heyd, Thomas. 2003. Rock Art Aesthetics and Cultural Appropriation. The Journal for Aesthetics and Art Criticism 61(1): 37–46.
Hieb, Louis. 1979. The Ritual Clown: Humor and Ethics. In Forms of Play in Native North America, ed. Edward Norbeck and Claire Farrer, 171–188. Proceedings of the American Ethnological Society, St. Paul: West Publishing Company.
Hieb, Louis. 1994. The Meaning of Kachina. In Kachinas in the Pueblo World, ed. Polly Schaafsma, 23–33. Albuquerque: University of New Mexico Press.
Hitchcock, Robert K. 2010. Rock Art Tourism: Development through Conservation. In Tsodilo Hills: Copper Bracelet of the Kalahari, ed. Campbell Alec, Robbins Larry, Taylor Michael, and James G. Workman, 132–143. East Lansing/Gaborone: Michigan State University Press/Botswana Society.
Hodder, Ian. 1991. Postprocessual Archaeology and the Current Debate. In Processual and Postprocessual Archaeologies: Multiple Ways of Knowing the Past, ed. Robert W Preucel, 30–41. Center for Archaeological Investigations, Occasional Paper, No. 10. Carbondale: Southern Illinois University at Carbondale.
Howard, James H. 1965. The Ponca Tribe. Bureau of Ethnology Bulletin 195. Washington, DC: Smithsonian Institution.
Howard, Julie, and Joel C. Janetski. 1992. Human Scalps from Eastern Utah. Utah Archaeology 5(1): 125–132.
Hudson, Travis, and Georgia Lee. 1984. Function and Symbolism in Chumash Rock Art. Journal of New World Archaeology 6(3): 26–47.
Hudson, Travis, and Ernest Underhay. 1977. Crystals in the Sky: An Intellectual Odyssey involving Chumash Astronomy, Cosmology and Rock Art, Anthropological Papers, vol. 19. Socorro: Ballena Press.
Hudson, Travis and Ernest Underhay. 1978. Crystals in the Sky: An Intellectual Odessy Involving Chumash Astronomy, Cosmology and Rock Art. Anthropological Papers 19. Socorro: Ballena.
Hudson, Travis, and Georgia Lee. 1982. Function and Symbolism in Chumash Rock Art. Journal of New World Archaeology 6(3): 26–47.
Hughte, Phil. 1994. A Zuni Artist Looks at Frank Hamilton Cushing. Zuni Pueblo: The Ashiwi Awan Museum and Heritage Center.
Hultkrantz, Ake. 1987. Native Religions of North America: The Power of Visions and Fertility. San Francisco: Harper and Row.
Hunt, Eva. 1977. The Transformation of the Hummingbird: Cultural Roots of a Zinacantecan Mythical Poem. Ithaca: Cornell University Press.
Hurst, Winston, and Bruce D. Louthan. 1979. Survey of Rock Art in the Central Portion of Nine Mile Canyon Eastern Utah. Publications in Archaeology, New Series No. 4. Department of Anthropology and Archaeology. Provo: Brigham Young University.
Hurst, Winston B., and Christy G. Turner II. 1993. Rediscovering the “Great Discovery:” Wetherill’s First Cave 7 and its Record of Basketmaker Violence. In Anasazi Basketmaker: Papers from the 1990 Wetherill-Grand Gulch Symposium, ed. Victoria M. Atkins, 143–192. Cultural Resource Series No. 24. Salt Lake City: Bureau of Land Management.
Huser, Verne. 1998. Preface. In Voices from a Sacred Place: In Defense of Petroglyph National Monument, ed. Verne Huser, 4–5. Seattle: Artcraft Printing.
Hyder, William D. (ed.). 1999. Rock Art and Ethics: A Dialogue, Occasional Paper, vol. 3. Tucson: American Rock Art Research association.
Irwin, Lee. 1994. The Dream Seekers: Native American Visionary Traditions of the Great Plains. Norman: University of Oklahoma Press.
Kehoe, Alice Beck. 2000. Shamans and Religion: An Anthropological Exploration in Critical Thinking. Prospect Heights: Waveland Press, Inc.
Kelly, Isabel T. 1932. Ethnography of the Surprise Valley Paiutes. University of California Publications in American Archaeology and Ethnology 31(3): 67–210. Berkeley.
Kelly, Isabel T. 1936. Chemehuevi Shamanism. In Essays in Anthropology Presented to A. L. Kroeber in Celebration of His Sixtieth Birthday, ed. Robert E. Lowie, 129–142. Berkeley: University of California Press.
Kelly, Isabel T. 1939. Southern Paiute Shamanism. University of California Records 2(4): 151–167. Berkeley.
Keyser, James D. 2004. Art of the Warriors: Rock Art of the American Plains. Salt Lake City: University of Utah Press.
Kidder, Alfred V. 1959. The Diary of Sylvanus G. Morley. Proceedings of the American Philosophical Society 103(6): 778–782.
Kidder, Alfred Vincent, and Samuel J. Guernsey. 1919. Archaeological Explorations in Northeastern Arizona. Bureau of American Ethnology Bulletin 65. Washington, DC: Government Printing Office.
Kirkland, Forrest, and William W. Newcomb. 1967. The Rock Art of Texas Indians. Austin: University of Texas Press.
Kitchell, Jennifer A. 2010. Basketmaker and Archaic Rock Art on the Colorado Plateau. American Antiquity 75(4): 819–840.
Kluckhohn, Clyde. 1944. Navaho Witchcraft. Boston: Beacon Press.
Kreutzer, Lee. 2008. Seeing is Believing and Hearing is Believing: Thought on Oral Tradition and the Pectol Shields. Utah Historical Quarterly 76(4): 377–384. Salt Lake City.
Kroeber, Alfred L. 1940. Psychotic Factors in Shamanism. Character and Personality 8: 204–215.
Kuckelman, Kristin. 2010. The Depopulation of Sand Canyon Pueblo, a large Ancestral Pueblo Village in Southwestern Colorado. American Antiquity 75(3): 497–525.
Lambert, Patricia M. 2007. The Osteological Evidence for Indigenous Warfare in North America. In North American Indigenous Warfare and Ritual Violence, ed. Richard J. Chacon and Ruben G. Mendoza, 202–221. Tucson: University of Arizona Press.
Lauriano, Phillip. 1998. Statement in “Pueblo Voices. In Voices from a Sacred Place: In Defense of Petroglyph National Monument, ed. Verne Huser, 8–10. Seattle: Artcraft Printing.
LeBeau, Albert M., III, and Andrew E. LeBounty. 2010. A Response to “Indigenous Archaeology: Historical Interpretation from an Emic Perspective” – from a Native American Archaeologist’s Perspective. Nebraska Anthropologist 56:21–24. Lincoln.
LeBlanc, Steven A. 1999. Prehistoric Warfare in the American Southwest. Albuquerque: University of New Mexico Press.
Leone, Mark P. 1982. Some Opinions about Recovering Mind. American Antiquity 47(4): 742–760.
Lever, Janet. 1999. Rock Art, Art, and Ethics: A Personal Response. In Rock Art and Ethics: A Dialogue, Occasional Paper 3, ed. William D. Hyder, 21–28. Tucson: American Rock Art Research Association.
Lewis-Williams, J. David. 1981. Believing and Seeing: Symbolic Meaning in Southern San Rock Paintings. London: Academic Press.
Lewis-Williams, J. David. 1986. Cognitive and Optical Illusions in San Rock Art Research. Current Anthropology 23: 429–449.
Lewis-Williams, J. David. 1987. A Dream of Eland: An Unexplained Component of San Shamanism and Rock Art. World Archaeology 19(2): 165–177.
Lewis-Williams, J. David. 1995. Seeing and Construing: The Making and “Meaning” of a South African Rock Art Motif. Cambridge Archaeological Journal 5: 3–23.
Lewis-Williams, J. David. 1997. Harnessing the Brain: Vision and Shamanism in Upper Paleolithic Western Europe. In Beyond Art: Pleistocene Image and Symbol, ed. M.W. Conkey, O. Soffer, D. Stratmann, and N.G. Jablonski, 321–342. San Francisco: California Academy of Sciences.
Lewis-Williams, J.D., and T.A. Dowson. 1988. The Signs of All Times: Entoptic Phenomenon in Upper Paleolithic Art. Current Anthropology 29: 201–245.
Lewis-Williams, J.D., and T.A. Dowson. 1990. On Paleolithic Art and the Neuropsychological Model. Current Anthropology 31: 407–408.
Liljeblad, Sven. 1986. Oral Tradition: Content and Style of Verbal Arts. In Handbook of North American Indians: Great Basin, ed. Warren L. D’Azevedo, 641–649. Washington, DC: Smithsonian Institution.
Lipe, William D. 1993. The Basketmaker II Period in he Four Corners Area. In Anasazi Basketmaker: Papers from the 1990 Wetherill-Grand Gulch Symposium, ed. Victoria M. Aikens, 1–10. Cultural Resource Series No. 24. Bureau of Land Management, Salt Lake City.
Lippard, Lucy R. 1983. Overlay: Contemporary Art and the Art of Prehistory. New York: Pantheon Books.
Lippard, Lucy R. 2010. Down Country: The Tano of the Galisteo Basin. Santa Fe: Museum of New Mexico Press.
Lister, Robert H. 1959a. The Glen Canyon Right Bank Survey. In The Glen Canyon Survey, Part I, The University of Utah Papers in Anthropology 39 (Glen Canyon Series 6), 27–161. Salt Lake City: The United States National Park Service and the University of Utah.
Lister, Robert H. 1959b. The Waterpocket Fold: A Distributional Problem. In The Glen Canyon Survey, Part I, The University of Utah Papers in Anthropology 39 (Glen Canyon Series 6), 285–316. Salt Lake City: The United States National Park Service and the University of Utah.
Loendorf, Lawrence L. 1994. Finnegan Cave: A Rock Art Vision Quest Site in Montana. In Shamanism and Rock Art in North America, ed. Solveig A. Turpin, 125–137. San Antonio: Rock Art Foundation. Special Publication 1.
Loendorf, Lawrence, and Carolyn J. McClellen. 2008. Managing the Petroglyphs at Legend Rock. In Set in Stone: A Binational Workshop on Petroglyph Management in the United States and Mexico, ed. Joseph P. Sanchez, Angelica Sanchez-Clark, and Edwina L. Abreu, 53–66. Albuquerque: Petroglyph National Monument, National Park Service.
Lowie, Robert H. 1924. Notes on Shoshonean Ethnography. Anthropological Papers of the American Museum of Natural History 20, Part 3:185–314. New York: American Museum Press.
Macnair, Peter L. 1977. Potlatch at Alert Bay. In Stones, Bones, and Skin Ritual and Shamanic Art, 83–86. Toronto: An Artscanada Book, The Society for Art Publications.
Maddox, John L. 1923. The Medicine Man. New York: The MacMillan.
Mallery, Garrick. 1893. Picture-Writitg of the American Indians. Tenth Annual Report of the Bureau of American Ethnology. Washington, DC
Marwitt, John P. 1987. Fremont Cultures. In Handbook of the American Indians: Great Basin 11, ed. Warren L. D’Azevedo, 161–172. Washington, DC: Smithsonian Institution.
Mason, Ronald J. 2000. Archaeology and Native North American Oral Tradition. American Antiquity 65(2): 239–266.
Matheny, Ray T., Deanne G. Matheny, Pamela W. Miller, and Miller Blaine. 2004. Hunting Strategies and Winter Economy of the Fremont as Revealed in Rock Art of Nine Mile Canyon. In New Dimensions in Rock Art Studies, Occasional Paper Series No. 9, ed. Ray T. Matheny, 145–194. Salt Lake City: Museum of Peoples and Cultures, Brigham Young University.
Maxwell, Gilbert S. 1963. Navajo Rugs: Past, Present and Future. Palm Desert: Best-West Publications.
McCall, Grant S. 2007. Add Shamans and Stir? A Critical Review of the Shamanism Model of Forager Rock Art Production. Journal of Anthropological Archaeology 26: 224–233.
McGuire, Randall H. 2003. Forward. In Ethical Issues in Archaeology, ed. Larry J. Zimmerman, Kenneth D. Vitell, and Julie Howell-Zimmer, vii–ix. Walnut Creek, CA: Altamira Press.
McPherson, Robert S., and John Fahey. 2008. Seeing is Believing: The Odyssey of the Pectol Shields. Utah Historical Quarterly 76(4): 357–376. Salt Lake City.
Means, Russell, and Marvin J. Wolf. 1995. Where White Men Fear to Tread: The Autobiography of Russell Means. New York: St. Martin’s Press.
Milner, George R. 2007. Warfare, Population, and Food Production in Prehistoric Eastern North America. In North American Indigenous Warfare and Ritual Violence, ed. Richard J. Chacon and Ruben G. Mendoza, 182–201. Tucson: University of Arizona Press.
Montejo, Victor. 1993. In the Name of the Pot, the Sun, the Broken Spear, the Rock, the Stick, the Idol, Ad Infinitum, Ad Nauseum: An Expose of Anglo-Anthropologists Obsessions with and Invention of Mayan Gods. Wizcao SA Review 9(1): 12–16.
Montejo, Victor. 1999. Voices from Exile: Violence and Survival in Modern Maya History. Norman: University of Oklahoma Press.
Morley, Sylvanus G. 1913. Archaeological Research at the Ruins of Chichen Itza, Yucatan, In Reports upon the Present Condition and Future Needs of the Science of Anthropology, Presented by W. H. R. Rivers, A. E. Jenks, and S. G. Morley, at the Request of the Carnegie Institution of Washington, Washington, DC. Nov. 1, 1913. Washington, DC: Carnegie Institution of Washington, Publication No. 200.
Morley, Sylvanus G. 1946. The Ancient Maya. Stanford: Stanford University Press.
Morwood, M.J. 2002. Visions from the Past: the Archaeology of Australian Aboriginal Art. Washington, DC: Smithsonian Institution Press.
Munson, Marit K. 2011. The Archaeology of Art in the American Southwest. Lanham: Altamira.
Murray, William Breen. 2011. Rock Art? Or Graphic Rock Manifestations? La Pintura 37(1): 12.
Naranjo, Tessie. 1995. Thoughts on Migration by Santa Clara Pueblo. Journal of Anthropological Archaeology 14: 247–250.
Narr, Karl J. 1959. Barenzeremoniell und Schamanismus in der Aletern Steinzeit Europas. Saeculum 10: 233–272.
Nequatewa, Edmund. 1936. Truth of a Hopi and Other Clan Stories of Shung-opavi, ed. Mary-Russell F. Colton. Museum of Northern Arizona Bulletin no. 8. Flagstaff: Northern Arizona Society of Science and Art.
Nissen, Karen M. 1995. Pray for Signs? Petroglyph Research in the Western Great Basin, North America. In Rock Art Studies in the Americas, ed. Jack Steinbring, 67–76. Oxbow Monograph 45. Exeter: The Short Run Press.
Noll, Richard. 1983. Shamanism and Schizophrenia: A State Specific Approach to the “Schizophrenic Metaphor” of Shamanic States. American Ethnologist 10(3): 443–459.
Noss, John B. 1949. Man’s Religions. New York: The Macmillan.
Nowak, Margaret, and Stephen Durrant. 1977. The Tale of the Nisan Shamaness A Manchu Folk Epic. Seattle/London: University of Washington Press.
Oakes, M.Gregory. 2012. The Logic of Indigenous Voice. In The Ethics of Anthropology and Amerindian Research: Reporting on Environmental Degradation and Warfare, ed. Richard J. Chacon and Ruben G. Mendoza, 435–450. New York: Springer.
Ogburn, Dennis E. 2012. Overstating, Downplaying, and Denying Indigenous Conquest Warfare in Pre-Hispanic Empires of the Andes. In The Ethics of Anthropology and Amerindian Research: Reporting on Environmental Degradation and Warfare, ed. Richard J. Chacon and Ruben G. Mendoza, 269–287. New York: Springer.
Ortiz, Alfonso. 1969. The Tewa World: Space, Time, Being, and Becoming in a Pueblo Society. Chicago/London: The University of Chicago Press.
Park, Willard Z. 1934. Paviotso Shamanism. American Anthropologist 36(1): 98–113.
Park, Willard Z. 1938. Shamanism in Western North America: A Study in Cultural Relationships. Evanston: Northwestern University Studies in the Social Sciences 2.
Parsons, Elsie Clews. 1939. Pueblo Indian Religion. Chicago: University of Chicago.
Powell, Shirley, Sally J. Cole, Sharon K. Hatch, and Sheri Bowman. 1998. Basketmaker Images at Falls Creek Shelters, Southwestern Colorado. Manuscript. Funded by the Colorado Historical Society State Historical Fund, Project #96-02-006, Product #8.
Preucel, Robert W. 1991. The Philosophy of Archaeology. In Processual and Postprocessual Archaeologies: Multiple Ways of Knowing the Past, ed. Robert W Preucel, 17–29. Center for Archaeological Investigations, Occasional Paper No. 10, Carbondale: Southern Illinois University.
Preucel, Robert W. 2006. Archaeological Semiotics. Malden: Blackwell.
Quinlan, A.R. 2000. The Ventriloquist’s Dummy: A Critical Review of Shamanism in Rock Art of Far Western North America. California Journal of Great Basin Anthropology 22(1): 92–108.
Quinlan, Angus R., and Alanah Woody. 2001. Marking Time at Lagomarsino: An Exploration of the Competing Narratives of Rock Art Studies. American Indian Rock Art 27 ed. Steven M. Freers and Alanah Woody: 211–220. Tucson: American Rock Art Research Association.
Radin, Paul. 1937. Primitive Religion. New York: Viking.
Ratsch, Christian, and Claudia Muller-Ebeling. 2006. Pagan Christmas: The Plants, Spirits, and Rituals at the Origins of Yuletide. Inner Traditions, Rochester, VT (originally published AT Verlag 2003).
Reichel-Dolmatoff, Gerald. 1972. Rock Paintings of the Vaupes: An Essay of Interpretation. Folklore Americas 27: 107–113.
Reichel-Dolmatoff, Gerald. 1975. The Shaman and the Jaguar: A Study of Narcotic Drugs Among the Indians of Columbia. Philadelphia: Temple University Press.
Reichel-Dolmatoff, Gerald. 1978. Drug-induced Optical Sensations and their Relationship to Applied Art Among Some Columbian Indians. In Art in Society: A Study of Style, Culture, and Aesthetics, ed. M. Greenhalgh and V. Megaw, 289–304. London: Duckworth.
Roberts, Frank H.H., Jr. 1932. The Village of the Great Kivas on the Zuni Reservation New Mexico. Bureau of American Ethnology, Bulletin 111. Washington, DC: Smithsonian Institution.
Rowe, Marvin W. 2001. Dating by AMS Radiocarbon Analysis. In Handbook of Rock Art Research, ed. David S. Whitley, 139–166. Walnut Creek, CA: Altamira Press.
Russell, Jeffrey Burton. 1972. Witchcraft in the Middle Ages. Ithaca: Cornell University Press.
Saitta, Dean. 1991. Radical Theory and Processual Critique. In Processual and Postprocessual Archaeologies: Multiple Ways of Knowing the Past, ed. Robert W. Preucel, 54–59. Center for Archaeological Investigations. Carbondale: Southern Illinois University, Occasional Paper No. 10.
Sanchez, Joseph P., Angelica Sanchez-Clark, and Edwina L. Abreu, 2008. Set in Stone: A Binational Workshop on Petroglyph Management in the United States and Mexico. Albuquerque: Petroglyph National Monument, National Park Service.
Schaaf, Gregory. 2008. Hopi Katsina: 1,600 Artist Biographies. Santa Fe: CIAC Press.
Schaafsma, Curtis F. 1991. Truth Dwells in the Deeps: Lesson from Quantum Theory for Contemporary Archaeology. In Processual and Postprocessual Archaeologies: Multiple Ways of Knowing the Past, ed. Robert W. Preucel, 60–70. Occasional Paper No. 10, Center for Archeological Investigations. Carbondale: Southern Illinois University.
Schaafsma, Curtis F. 1994. Pueblo Ceremonialism from the Perspective of Spanish Documents. In Kachinas in the Pueblo World, ed. Polly Schaafsma, 121–137. Albuquerque: University of New Mexico Press.
Schaafsma, Curtis F. 1996. Ethnic Identity and Protohistoric Archaeological Sites in Northwestern New Mexico: Implications for Reconstructions of Navajo and Ute History. In The Archaeology of Navajo Origins, ed. Ronald H. Towner, 19–46. Salt Lake City: University of Utah press.
Schaafsma, Curtis F., and Polly Schaafsma. 1996. Traditional Narratives and Archaeology. In Papers in Honor of Bill Turney: Archaeological Society of New Mexico, vol. 22, ed. M.S. Duran and D.T. Kirkpatrick, 171–178. Albuquerque: Archaeological Society of New Mexico.
Schaafsma, Polly. 1963. Rock Art in the Navajo Reservoir District, Museum of New Mexico Papers in Anthropology, no. 7, vol. 7. Santa Fe: Museum of New Mexico Press.
Schaafsma, Polly. 1971. The Rock Art of Utah, Peabody Museum of Archaeology and Ethnology, vol. 65. Cambridge, MA: Harvard University Press.
Schaafsma, Polly. 1972. Rock Art in New Mexico, (1st edition_Santa Fe: New Mexico State Planning Office.
Schaafsma, Polly. 1975. Rock Art in the Cochiti Reservoir District, Museum of New Mexico Papers in Anthropology, vol. 16. Santa Fe: Museum of New Mexico Press.
Schaafsma, Polly. 1980. Indian Rock Art of the Southwest. Santa Fe/Albuquerque: School of American Research/University of New Mexico Press.
Schaafsma, Polly. 1986. Rock art. In Handbook of North American Indians: Great Basin, ed. Warren L. D’Azevedo, 215–226. Washington, DC: Smithsonian Institution.
Schaafsma, Polly. 1987. Rock Art and Associated Archaeological Sites of the Las Imagines Archeological District, West Mesa, Albuquerque: Statement of Significance. Report Submitted in Fulfillment of Professional Services for the National Park Service, Purchase Order PX 7029-7-0166.
Schaafsma, Polly. 1990. Shaman’s Gallery. Kiva 55(3): 213–234.
Schaafsma, Polly. 1992. Rock Art in New Mexico (revised 2nd edition). Santa Fe: Museum of New Mexico Press.
Schaafsma, Polly. 1994a. The Prehistoric Kachina Cult and its Origins as Suggested by Southwestern Rock Art. In Kachinas in the Pueblo world, ed. Polly Schaafsma, 63-89. Albuquerque: University of New Mexico Press.
Schaafsma, Polly 1994b. Trance and Transformation in the Canyons. In Shamanism and Rock Art in North America, ed. Solveig A. Turpin, 45–71. Special Publication 1. San Antonio, TX: Rock Art Foundation, Inc.
Schaafsma, Polly. 1994c. Trance and Transformation in the Canyons: Shamanism and Early Rock Art on the Colorado Plateau. In Shamanism and Rock Art in North America, ed. Solveig A. Turpin, 45–71. San Antonio: Rock Art Foundation. Special Publication No. 1.
Schaafsma, Polly. 1997. Rock Art, World Views, and Contemporary Issues. In Rock Art as Visual Ecology, ed. Paul Faulstich, 7–20. IRAC Proceedings, vol. 1. Tucson: American Rock Art Research Association.
Schaafsma, Polly. 1998. Religion and Money. In Voices from a Sacred Place: In Defense of Petroglyph National Monument, ed. Verne Huser, 13–15. Seattle: Artcraft Printers.
Schaafsma, Polly. 2000. Warrior, Shield, and Star. Santa Fe: Western Edge Press.
Schaafsma, Polly. 2001. The Historical Rock Art at Hueco Tanks State Historical Park: An Ethnographic Assessment. Santa Fe: Manuscript in writer’s possession.
Schaafsma, Polly. 2002. Pottery Metaphors in Pueblo and Jornada Mogollon Rock Art. In Rock Art and Cultural Processes, ed. Solveig A. Turpin. San Antonio: Rock art Foundation. Special Publication 3.
Schaafsma, Polly. 2007a. Head Trophies and Scalping: Images in Southwest Rock Art. In The Taking and Displaying of Human Body Parts as Trophies by Amerindians, ed. Richard J. Chacon and David H. Dye, 90–123. New York: Springer.
Schaafsma, Polly. 2007b. Documentation Conflict in the Prehistoric Pueblo Southwest. In North American Indigenous Warfare and Ritual Violence, ed. Richard J. Chacon and Ruben G. Mendoza, 114–128. Tucson: University of Arizona Press.
Schaafsma, Polly. 2007c. Pottery Mound Murals and Rock Art: Implications for Regional Interaction. In New Perspectives on Pottery Mound Pueblo, ed. Polly Schaafsma, 137–166. Albuquerque: University of New Mexico Press.
Schaafsma, Polly. 2008. Shamans, Shields, and Stories on Stone. In The Great Basin: People and Places of Ancient Times, ed. Catherine S. Fowler and Don D. Fowler, 145–152. Santa Fe: School for Advanced Research Press.
Schaafsma, Polly. 2009. Cave in the Kiva: The Kiva Niche and Painted Walls in the Rio Grande Valley. American Antiquity 74(4): 664–690.
Schaafsma, Polly. 2013. Rock Art’s Century and More: Encounters in the Great Basin and the Northern Southwest. In Archeology for all Times: Papers in Honor of Don D. Fowler. Salt Lake City: University of Utah Press.
Schaafsma, Polly. n.d. The Historical Rock Art of Hueco Tanks State Historical Park: An Ethnographic Assessment. Santa Fe: Manuscript in writer’s possession.
Schaafsma, Polly, and Curtis F. Schaafsma. 1974. Evidence for the Origins of the Pueblo Kachina Cult as Evidenced by Southwestern Rock Art. American Antiquity 39(4): 535–545.
Schaafsma, Polly, and Karl A. Taube. 2006. Bringing the Rain: An Ideology of Rain-making in the Pueblo Southwest and Mesoamerica. In A Pre-Columbian World, ed. Jeffrey Quilter and Mary Miller, 231–285. Washington, DC: Dumbarton Oakes.
Schaafsma, Polly, and William B. Tsosie. 2009. Xeroxed On Stone: Times of Origin and the Navajo Holy People in Canyon Landscapes. In Landscapes of Origin in the Americas, ed. Jessica Joyce Christie, 15–31. Tuscaloosa: University of Alabama Press.
Schaafsma, Polly, and M. Jane Young. 2007. Rock Art of the Zuni Region: Cultural-Historical Implications. In Zuni Origins : Toward a New Synthesis of Southwestern Archaeology, ed. David A. Gregory and David R. Wilcox, 247–269. Tucson: University of Arizona Press.
Schele, Linda, and Mary Miller. 1986. The Blood of Kings: Dynasty and Ritual in Maya Art. New York/Fort Worth: George Braziller/Kimbell Art Museum.
Schiffer, Michael B. 2001. Archaeology and Anthropology: A View from the AAA. The SAA Archaeological Record 11(4):22–28. Society for American Archaeology.
Scully, Vincent. 1992. Mankind and the Earth in America and Europe. In The Ancient Americas: Art from Sacred Landscapes. Chicago: The Art Institute of Chicago.
Sekaquaptewa, Emory, and Dorothy Washburn. 2004. “They Go Along Singing:” Reconstructing the Hopi Past from Ritual Metaphors in Song and Image. American Antiquity 69(3): 457–486.
Sekaquaptewa, Emory, and Dorothy Washburn. 2010. Living in Metaphor: Hopi Traditions in Song and Image: In Painting the Cosmos: Metaphor and Worldviews in Images from the Southwest Pueblos and Mexico, ed. Kelley Hays-Gilpin and Polly Schaafsma, 139–178. Museum of Northern Arizona Bulletin 67. Flagstaff.
Service, Elman R. 1958. A Profile of Primitive Culture. New York: Harper and Brothers.
Shiner, Larry. 1994. Primitive Fakes, Tourist Art and the Ideology of Authenticity. The Journal of Aesthetics and Art Criticism 52: 228–230.
Shweder, Richard A. 1972. Aspects of Cognition in Zinacanteco Shamans: Experimental Results. In Reader in Comparative Religion: An Anthropological Approach, ed. William A. Less and Evon Z. Vogt. New York: Harper and Row.
Silverman, J. 1967. Shamanism as Acute Schizophrenia. American Anthropologist 69: 21–31.
Silverman, J. 1975. ASCs: Positive and Negative Outcomes. Journal of Altered States of Consciousness 2: 295–317.
Solnit Rebecca. 1989. Virgil to Bhopal. Paper presented at Anderson Ranch Conference, “The Political Landscape.” Snowmass, Colorado: Anderson Ranch Arts Center.
Sprajc, Ivan. 1993. The Venus-Rain-Maize Complex in the Mesoamerican Worldview: Part I. Journal for the History of Astronomy 24(102): 17–70.
Steinbring, Jack. 1992. Science, and Aesthetics, and the Promise of Rock Art. Academic Keynote Address, Second AURA Congress, Cairns. Rock Art Research 9(2):147–150.
Stephen, Alexander M. 1936. Hopi Journal (2 vols.). Edited by Elsie Clews Parsons. Columbia University Contributions to Anthropology 23m. New York: Columbia University Press.
Stevenson, Matilda Coxe. 1904. The Zuni Indians. 23rd Annual Report of the Bureau of American Ethnology, 1901–1902. Washington, DC: Smithsonian Institution.
Steward, Julian H. 1929. Petroglyphs of California and Adjoining States, vol. 24. Berkeley: University of California Publications in Archaeology and Ethnology. 2.
Steward, Julian H. 1937. Petroglyphs of the United States. Smithsonian Annual Report for 1936. Publication 3437, 405–425. Washington, DC.
Stoffle, Richard, Richard Arnold, Kathleen Van Vlack, Larry Eddy, and Betty Cornelius. 2009. Nuvagantu, “Where Snow Sits”: Origin Mountains of the Southern Paiutes. In Landscapes of Origin in the Americas, ed. Jessica Joyce Christie, 32–44. Tuscaloosa: University of Alabama Press.
Suina, Joseph H. 2002. The Persistence of the Corn Mothers. In Archaeologies of the Pueblo Revolt: Identity, Meaning, and Renewal in the Pueblo World, ed. Robert W. Preucel, 212–216. Albuquerque: The University of New Mexico Press.
Tacon, P. S. C., and P. Faulstich. 1993. Introduction: Expressing Relationships to the Land by Marking Special Places. In Part II: Spatial Considerations in Rock Art, ed. Paul Faulstich and Paul S. C. Tacon, 81–83. Proceedings of Symposium E, Second AURA Congress, Cairns
Taube, Karl Andreas. 1992. The Major Gods of Ancient Yucatan, Studies in Pre-Columbian Art and Archaeology, vol. 32. Washington, DC: Dumbarton Oaks Research Library and Collection.
Thompson, J.Eric S. 1954. The Rise and Fall of Maya Civilization. Norman: University of Oklahoma Press.
Tlapoyawa, Kurly. 2003. Did “Mexika Human Sacrifice” Exist? Mexika Eagle Society. http://www.mexika.org/TlapoSc.htm.
Townsend, Richard F. 1992. Landscape and Symbol. In The Ancient Americas: Art from Sacred Landscapes, ed. Richard F. Townsend, 29–47. Chicago: The Art Institute of Chicago.
Turner, Christy G. II. 1963. Petrographs of the Glen Canyon Region. Museum of Northern Arizona Bulletin 38 (Glen Canyon Series No. 4). Flagstaff.
Turner, Christy G. II. 1993. No. 38 Southwest Indian Teeth. National Geographic Research and Exploration 9(1):32–53.
Turpin, Solveig A. 1994a. On a Wing and a Prayer: Flight Metaphors in Pecos River Rock Art. In Shamanism and Rock Art in North America, ed. Solveig A. Turpin, 73–102. San Antonio: Rock Art Foundation. Special Publication No.1.
Turpin, Solveig A. 1994b. The Were-Cougar Theme in Pecos River Style Art and its Implications for Traditional Archeology. In New Light on Old Art: Recent Advances in Hunter-Gatherer Rock Art Research, ed. David S. Whitley and Loendorf Larry, 75–80. Los Angeles: University of California.
Turpin, Solveig A. 2010. El Arte Indigena de Coahuila. Universidad Autonoma de Coahuila Saltillo.
Turpin, Solveig A. 2011a. Size Matters: The Transition from Religious to Secular Art in the Lower Pecos Region. In American Indian Rock Art, 37, ed. Mavis Greer, John Greer, and Peggy Whitehead, 1–15. Glendale, AZ: ARARA Publications.
Turpin, Solveig A. 2011b. A Note about Things Worn on the Elbows of Pecos River Style Anthropomorphs: A Were-Cougar Motif from Mulata, Coahuila. In American Indian Rock Art, 37, ed. Mavis Greer, John Greer, and Peggy Whitehead, 93–98. Glendale, AZ: ARARA Publications.
Valette, Rebecca M., and Jean-Paul Valette. 2000. Weaving the Dance: Navajo Yeibichai Textiles (1910–1950). Adobe Gallery, Albuquerque in association with the University of Washington Press, Seattle/London.
Vastokas, Joan. 1977. The Shamanic Tree of Life. In Stone, Bones, and Skin: Ritual and Shamanic Art, ed. Peter T. Furst, 93–117. Toronto: An Artscanada Book. The Society for Art Publications.
Vastokas, Joan M., and Romas K. Vastokas. 1973. Sacred Art of the Algonkians: A Study of the Peterborough Petroglyphs. Peterborough: Mansard Press.
Walsh, Grahame L. 1988. Australia’s Greatest Rock Art. Bathurst: E. J. Brill-Robert Brown & Associates (Aust).
Washburn, Wilcomb E. 1998. Against the Anthropological Grain. New Brunswick/London: Transaction.
Wasson, R. Gordon. 1968. Soma, Divine Mushroom of Immorality. Ethno-Mycological Studies, no. 1. New York: Harcourt Brace Jovanovich.
Waters, Frank. 1963. The Book of the Hopi. New York: Viking Press.
Watkins, Joe. 2003. Archaeological Ethics and American Indians. In Ethical Issues in Archaeology, ed. Larry J. Zimmerman, Karen D. Vitelli, and Julie Hollowell-Zimmer, 129–141. Walnut Creek, CA: Altamira Press in Cooperation with SAA.
Watson, Patty Jo. 1991. A Parochial Primer: The New Dissonance as Seen from the Midcontinental United States. In Processual and Post-Processual Archaeologies: Multiple Ways of Knowing the Past, ed. Robert W. Preucel, 265–276. Center for Archaeological Investigations,Occasional Paper No. 10. Carbondale: Southern Illinois University at Carbondale.
Webmoor, Timothy. 2007. The Dilemma of Contact: Archaeology’s Ethic Epistemology Crisis and the Recovery of Pragmatic Sensibility. Stanford Journal of Archaeology 5224–5246. Stanford.
Wellmann, Klaus F. 1979. A Survey of North American Rock Art. Graz, Austria: Akademische Druck u.Vergalsanstalt.
Welsh, Peter H. 1999. Commodification of Rock Art: An Inalienable Paradox. In Rock Art and Ethics: A Dialogue, ed. William D. Hyder, 29–37. American Rock Art Research Association, Occasional Paper 3, Tucson.
Whiteley, Peter. 1993. The End of Anthropology (at Hopi)?. Journal of the Southwest 35(2): 125–157. Tucson: University of Arizona Press, The Southwest Center.
Whitley, David S. 1988. Bears and Baskets: Shamanism in California Rock Art. In The State of the Art: Advances in World Rock Art Research, ed. Thomas A. Dowson, 34–42. Johannesburg: University of Witwatersrand, Archaeology Department.
Whitley, David S. 1992. Shamanism and Rock Art in Western North America. Cambridge Archaeological Journal 2(1): 89–113.
Whitley, David S. 1994a. Shamanism, Natural Modeling and the Rock Art of Far Western North American Hunter-Gatherers. In Shamanism and Rock Art in North America, ed. Solveig A. Turpin, 1–44. San Antonio: Rock Art Foundation. Special Publication 1.
Whitley, David S. 1994b. By the Hunter, for the Gatherer. Art, Social Relations and Subsistence Change in the Prehistoric Great Basin. World Archaeology 25(3): 356–373.
Whitley, David S. 1998. Cognitive Neuroscience, Shamanism and the Rock Art of Native America. Anthropology of Consciousness 9: 22–37.
Whitley, David S. 2000. The Art of the Shaman: Rock Art of California. Salt Lake City: University of Utah Press.
Whitley, David S. 2001. Rock Art and Rock Art Research in a Worldwide Perspective: An Introduction. In Handbook of Rock Art Research ed. Davids Whitley, 7–51. Walnet Creek, CA. Altamira Press.
Whitley, David S., and Jean Clottes. 2005. In Steward’s Shadow: Histories of Research in the Far West and Western Europe. In Discovering North American Rock Art, ed. L.L. Loendorf, C. Chippindale, and D.S. Whitley, 161–177. Tucson: The University of Arizona Press.
Wilbert Johannes. 1977. The Calabash of the Ruffled Feathers. In Stone Bones and Skin: Ritual and Shamanic Art, 58–61. An Artscanada Book. Toronto: The Society for Art Publications.
Wright Barton. 1973. Kachinas: A Hopi Artist’s Documentary. Paintings by Cliff Bahnimptewa. Flagstaff/Phoenix: Northland Publishing with the Heard Museum.
Wright Barton. 1985. Kachinas of the Zuni. Paintings by Duane Dishta. Flagstaff and Los Angeles: Northland/Southwest Museum.
Wright, Barton. 1994. Clowns of the Hopi. Flagstaff: Northland Press.
Wylie, Alison. 2003. On Ethics. In Ethical Issues in Archaeology, ed. Larry J. Zimmerman, Karen D. Vitelli, and Julie Hollowell-Zimmer, 3–16. Walnut Creek, CA: Altamira Press.
Young, M. Jane. 1985. Images of Power and The Power of Images. Journal of American Folklore 98: 3–48.
Young, M. Jane. 1988. Signs from the Ancestors. Albuquerque: University of New Mexico Press.
Zigmond, Maurice. 1986. Kawaiisu. In The Handbook of North American Indians 11: Great Basin, ed. Warren L. D’Azevdeo, 398–411. Washington, DC: Smithsonian Institution.
Zintgraff, Jim, and Solveig A. Turpin. 1991. Pecos River Rock Art: A Photographic Essay. San Antonio: Sandy McPherson.
Zolbrod, Paul G. 1984. Dine bahane: The Navajo Creation Story. Albuquerque: Museum of New Mexico Press.
Zubrow, Ezra B.W. 1994a. Knowledge Representation and Archaeology: A Cognitive Example Using GIS. In The Ancient Mind: Elements of Cognitive Archaeology, ed. Renfrew Colin and Ezra B.W. Zubrow, 107–118. Cambridge: Cambridge University Press.
Zubrow, Ezra B.W. 1994b. Cognitive Archaeology Reconsidered. In The Ancient Mind: Elements of Cognitive Archaeology, ed. Renfrew Colin and Ezra B.W. Zubrow, 187–190. Cambridge: Cambridge University Press.
Author information
Authors and Affiliations
Rights and permissions
Copyright information
© 2013 Springer Science+Business Media New York
About this chapter
Cite this chapter
Schaafsma, P. (2013). Robbing and Reinventing the Nonmaterial Past. In: Images and Power. SpringerBriefs in Anthropology(). Springer, New York, NY. https://doi.org/10.1007/978-1-4614-5822-7_4
Download citation
DOI: https://doi.org/10.1007/978-1-4614-5822-7_4
Published:
Publisher Name: Springer, New York, NY
Print ISBN: 978-1-4614-5821-0
Online ISBN: 978-1-4614-5822-7
eBook Packages: Behavioral ScienceBehavioral Science and Psychology (R0)