Abstract
An early scene in James Joyce’s novel, A Portrait of the Artist as a Young Man, shows the protagonist, Stephen Dedalus, as a child attending a boarding school outside of Dublin. One day he opens up his geography textbook and notes how he has written his name on the title page:
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Stephen Dedalus
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Class of Elements
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Clongowes Wood College
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Sallins
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County Kildare
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Ireland
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Europe
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The World
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The Universe
The little boy, as Joyce says, tries reading the page from bottom to top until he comes to his own name:
That was he: and he read down the page again. What was after the universe? Nothing. But was there anything round the universe to show where it stopped before the nothing place began? … He could think only of God. God was God’s name just as his name was Stephen. … It made him very tired to think that way. It made him feel his head very big.
The artist carries death within him like a good priest his breviary.
Jakov Lind
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References
Geoffrey Gorer, cited by Philippe Ariès, Western Attitudes Towards Death (Baltimore: 1974), pp. 92–93.
Robert Jay Lifton, “The American Experience of Death,” Perspectives on Death and Dying (Middletown, Conn: The Connecticut Scholar, 1979), pp. 64–65. The epigraph for my essay is also taken from this article, p. 77.
Elisabeth Kiibler-Ross, “What Is It Like to Be Dying?” in Understanding Death and Dying, eds. Sandra G. Wilcox and Marilyn Sutton (Port Washington, New York: 1977), pp. 99–111.
Geoffrey Rowell, Hell and the Victorians (Oxford: 1974), p. 82n.
William Gass, The World Within the Word (New York: 1978), p. 23.
Alfred Lord Tennyson: A Memoir by his Son (London: 1897), pp. 428–29.
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© 1981 Springer-Verlag New York, Inc.
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Ford, G.H. (1981). Death, Literature, and Its Consolations. In: Fraser, J.T., Lawrence, N., Park, D. (eds) The Study of Time IV. Springer, New York, NY. https://doi.org/10.1007/978-1-4612-5947-3_4
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DOI: https://doi.org/10.1007/978-1-4612-5947-3_4
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