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Abstract

I would like to begin with an affirmation which at first glance may seem shocking, if not iconoclastic: I include television in cinema. For quite some time it has been said that television killed cinema. Today this is heard less often because the interactions between the two media now appear more complex - and cinema is now enjoying better days, luckily. French cinema is dynamic today, owing to the support it gets from TV broadcasters, and to the harmonious interaction over the last decade between television and cinema, regardless of the problems posed by this interaction. For example, one might object that their economic interaction increases the influence of television advertisers and their needs with respect to cinematographic production. And then there is the classic objection: the difference between a cinema screen and the television screen (and now the computer’s), with the resulting difference in “spectatorial attitudes”.

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© 2001 Springer-Verlag London

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Stiegler, B. (2001). New Industrial Temporal Objects. In: Earnshaw, R.A., Guedj, R.A., Dam, A.v., Vince, J.A. (eds) Frontiers of Human-Centered Computing, Online Communities and Virtual Environments. Springer, London. https://doi.org/10.1007/978-1-4471-0259-5_32

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  • DOI: https://doi.org/10.1007/978-1-4471-0259-5_32

  • Publisher Name: Springer, London

  • Print ISBN: 978-1-4471-1069-9

  • Online ISBN: 978-1-4471-0259-5

  • eBook Packages: Springer Book Archive

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