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MPEG Video Compression Basics

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The MPEG Representation of Digital Media

Abstract

Video signals differ from image signals in several important characteristics. Of course the most important difference is that video signals have a camera frame rate of anywhere from 15 to 60 frames/s, which provides the illusion of smooth motion in the displayed signal.1 Another difference between images and video is the ability to exploit temporal redundancy as well as spatial redundancy in designing compression methods for video. For example, we can take advantage of the fact that objects in video sequences tend to move in predictable patterns, and can therefore be motion-compensated from frame-to-frame if we can detect the object and its motion trajectory over time.

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Notes

  1. 1.

    If the camera rate, chosen to portray motion, is below the display rate, chosen to avoid flicker, then some camera frames will have to be repeated.

  2. 2.

    Plain Old Telephone Service.

  3. 3.

    Frames and pictures are synonymous in MPEG-1.

  4. 4.

    Abbreviation of pixel.

  5. 5.

    Prediction 16  ×  16 blocks do not, in general, align with coded 16  ×  16 luma (of MB) boundaries in the Reference frame.

  6. 6.

    As in H.261, MPEG-1 uses the term Layers for this hierarchy. However, Layer has another ­meaning in MPEG-2. Thus, to avoid confusion we will not use Layers in this section.

  7. 7.

    VHS, an abbreviation for Video Home System, is a registered trademark of the Victor Company of Japan.

  8. 8.

    The top field contains the top line of the frame. The bottom field contains the second (and bottom) line of the frame.

References

  1. D. J. LeGall, “MPEG: A Video Compression Standard for Multimedia Applications,’’ Communications of the ACM, Vol. 34, No.4, April 1991, pp. 47–58.

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  2. “Digital Video,” IEEE Spectrum, Vol. 29, No.3, March 1992.

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  3. J. L. Mitchell, W. B. Pennebaker, C. E. Fogg, and D. J. LeGall, MPEG Video Compression Standard, Chapman and Hall, New York, 1997.

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  4. B. G. Haskell, A. Puri, and A. N. Netravali, Digital Video: An Introduction to MPEG-2, Chapman and Hall, New York, 1997.

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  5. A. Puri, and T. Chen, Multimedia Systems, Standards and Networks, Marcel Dekker, New York, 2000.

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  6. ITU-T Recommendation H.261, Video Codec for Audiovisual Services at p*64 kbits/sec.

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  7. ITU-T Recommendation H.263, Video Coding for Low Bit rate Communication.

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  8. “Coding of Moving Pictures and Associated Audio for Digital Storage Media up to about 1.5Mbit/s,” ISO/IEC 11172-2: Video (November 1991).

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  9. “Generic Coding of Moving Pictures and Associated Audio Information,” ISO/IEC 13818-2: Video (November 1994).

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  10. “Coding of Audio-Visual Objects,” ISO/IEC 14496-2: Video (October 1998).

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  11. A. Puri, R. Aravind, and B. G. Haskell, “Adaptive Frame/Field Motion Compensated Video Coding”, Signal Processing Image Communication, Vol. 1–5, pp. 39–58, Feb. 1993.

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Correspondence to B. G. Haskell .

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© 2012 Springer Science+Business Media, LLC

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Haskell, B.G., Puri, A. (2012). MPEG Video Compression Basics. In: Chiariglione, L. (eds) The MPEG Representation of Digital Media. Springer, New York, NY. https://doi.org/10.1007/978-1-4419-6184-6_2

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  • DOI: https://doi.org/10.1007/978-1-4419-6184-6_2

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