In the first years of the 20th century, long before Mickey Mouse, Popeye the Sailor, Betty Boop, Bugs Bunny, and Krazy Kat flitted around on the silver screen, a quiet, unassuming comic strip artist named Windsor McKay had an intriguing idea. A few years earlier, McKay had gained a reputation as one of the first strip artists of the age, combining surrealism and Art Nouveau sensibilities with a deft sense of humor in such strips as Little Nemo and Dreams of a Rarebit Fiend for William Randolph Hearst’s newspapers.
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