Kaye Ferguson uses narrative inquiry to present the stories of two preservice music teachers. Her specific interest is in exploring how participants’ self-views and beliefs filtered their teaching and learning experiences and influenced action. According to Connelly&Clandinin (2006), story is the portal by which one’s experience of the world is interpreted and made personally meaningful (p. 477). Experience can be explored and presented as/in story, and, in that process, one gains perspective on the meanings of an individual’s lived experiences. Ferguson’s focus on accessing self-views encompasses “all beliefs and feelings a person holds about herself, including identity, the part of self that tends to be defined by society” (p. 2).
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References
Connelly, F. M., & Clandinin, D. J. (2006). Narrative inquiry. In J. L. Green, G. Camilli, & P. B. Elmore (Eds.), Handbook of complementary methods in education research (3rd ed., pp. 477–487). Mahwah, NJ: Lawrence Erlbaum.
Chase, S. E. (2005). Narrative inquiry: Multiple lenses, approaches, voices. In N. K. Denzin, & Y. S. Lincoln (Eds.), The SAGE handbook of qualitative research (3rd ed., pp. 651–679). London: Sage.
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McCarthy, M. (2009). Layering Analytic Lenses: Considerations for Assessing the Narrative Text in Music Education – A Commentary. In: Barrett, M.S., Stauffer, S.L. (eds) Narrative Inquiry in Music Education. Springer, Dordrecht. https://doi.org/10.1007/978-1-4020-9862-8_10
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