Abstract
An earlier companion volume to this text ended with an epilogue on “The Unification Hypothesis of Chronobiology from Molecule to Mind” wherein we traced the evolution of life and mind as manifest in our circadian and ultradian psychobiology (Lloyd and Rossi, 1992). This chapter extends that broad scenario by reviewing the circadian and ultradian rhythms of gene expression, brain plasticity, and creative experience as we pursue the eternal verities of art, beauty, and truth in science as well as everyday life. This will be a highly speculative and lofty philosophical pursuit, which we will survey as a provocative series of “open questions” about mind, genes, consciousness, and behavior. We will explore our understanding of “the meaning of it all” by balancing the traditional reductionism of chronobiological research with the constructive approaches of the new in silico bioinformatic databases of functional genomics, neuroscience, medicine, and psychology. We will balance the traditional “Bottoms-Up Approach” of the physical and biological sciences with our “Top-Down Approach” for a unified understanding of the human condition from a deep chronobiological and psychobiological perspective.
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Rossi, E.L., Rossi, K.L. (2008). Open Questions on Mind, Genes, Consciousness, and Behavior: The Circadian and Ultradian Rhythms of Art, Beauty, and Truth in Creativity. In: Lloyd, D., Rossi, E.L. (eds) Ultradian Rhythms from Molecules to Mind. Springer, Dordrecht. https://doi.org/10.1007/978-1-4020-8352-5_16
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