It is uncontroversial that the content of some paintings can serve as historical evidence. Holbein’s paintings of the English court provide evidence of, for example, clothing styles of the period. Whether a particular painting is reliable in this respect will be a matter of historical inquiry into that particular painting. Was there a particular mode of dress that was worn only when sitting for paintings? Did the painter have a reason to misrepresent his subjects? No issues are raised here that do not apply quite generally to historical enquiry into primary sources.
Keywords
- Visual Experience
- Visual Category
- English Court
- Picture Surface
- Artistic Practice
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
This is a preview of subscription content, access via your institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsPreview
Unable to display preview. Download preview PDF.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2007 Springer
About this chapter
Cite this chapter
Matravers, D. (2007). Pictures, Knowledge, and Power: The Case of T. J. Clark. In: Kieran, M., Lopes, D.M. (eds) Knowing Art. Philosophical Studies Series, vol 107. Springer, Dordrecht. https://doi.org/10.1007/978-1-4020-5265-1_2
Download citation
DOI: https://doi.org/10.1007/978-1-4020-5265-1_2
Publisher Name: Springer, Dordrecht
Print ISBN: 978-1-4020-5264-4
Online ISBN: 978-1-4020-5265-1
eBook Packages: Humanities, Social Sciences and LawPhilosophy and Religion (R0)