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Metamorphosis pp 195-202 | Cite as

Flesh of the World: The Art and Practice of Dunya McPherson

  • Donnalee Dox
Chapter
Part of the Analecta Husserliana book series (ANHU, volume 81)

Abstract

Literature, music, the passions, but also the experience of the visible world are... the exploration of an invisible and the disclosure of a universe of ideas. The difference is simply that this invisible, these ideas... cannot be detached from the sensible appearances and be erected into a second positivity. (on Proust, p. 149)

Keywords

Visible World Phenomenal World Corporeal Experience Versus Isible Mental Symbol 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Bibliography

  1. Foti, Veronique M. (ed.), Merleau-Ponty: Di V erence, Materiality, Painting ( New Jersey: Humanities Press, 1996 ).Google Scholar
  2. Madison, Gary Brent. The Phenomenology of Merleau-Ponty ( Athens, OH: Ohio University Press, 1973 ).Google Scholar
  3. McPherson, Dunya. The Dance Meditation Newsletter (Feb. 1999).Google Scholar
  4. McPherson, Dunya. Interview, June 1999.Google Scholar
  5. Merleau-Ponty, Maurice. The Visible and the Invisible ( Evanston: Northwestern University Press, 1968 ).Google Scholar
  6. Priest, Stephen. Merleau-Ponty ( London: Routledge, 1998 ).Google Scholar
  7. Turner, Terence. “Bodies and Anti-bodies: Flesh and Fetish in Contemporary Social Theory,” in Thomas J. Csordas (ed), Embodiment and Experience: The Existential Ground of Culture and Self ( Cambridge: Cambridge University Press, 1994 ).Google Scholar

Copyright information

© Springer Science+Business Media Dordrecht 2004

Authors and Affiliations

  • Donnalee Dox
    • 1
  1. 1.Department of Performance StudiesTexas A&M UniversityUSA

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