Skip to main content

Glamour and Glory: The Symbolic Imagery of Women on Paper Money

  • Chapter
Representations of Gender from Prehistory to the Present

Part of the book series: Studies in Gender and Material Culture ((SGMC))

  • 153 Accesses

Abstract

Important influences on our thinking and understanding may come from the least expected sources, everyday objects which we take for granted. Few people would think of looking at banknotes for clues to the status of women, assuming that they would offer only atypical figureheads, of monarchs or heads of states, and these mainly male. Yet for over 200 years paper money across the world has been adorned with an extraordinary range of images of women, including neo-classical allegories, glamorous cotton-pickers, smiling tractor-drivers and Nobel prize-winners. The aim of this chapter is to examine briefly why images of women have been chosen for notes, how they have been used to convey particular messages, and how this in turn might affect our perception of women.1

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 129.00
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD 170.00
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Bibliography

  • Baring, A. and J. Cashford, (1993) The Myth of the Goddess. Evolution of an image (London).

    Google Scholar 

  • Doty, R.G. (1995) ‘Surviving Images, Forgotten Peoples: Native Americans, Women and African Americans on United States obsolete bank notes’, in V. Hewitt (ed.), The Banker’s Art. Proceedings of the conference held at the British Museum 1994 (London).

    Google Scholar 

  • Hewitt, V. (1994) Beauty and the Banknote. Images of women on paper money.

    Google Scholar 

  • Hewitt, V. (ed.), (1995) The Banker’s Art. Proceedings of the conference held at the British Museum 1994 (London).

    Google Scholar 

  • Tyler, F. (1994) ‘The Angel in the Factory: Images of women workers engraved on ante-bellum bank notes’, Imprint. Journal of the American Historical Print Collectors Society, 19 ( 1 ) ( Fairfield, Conn. ).

    Google Scholar 

  • Warner, M. (1987) Monuments and Maidens. The allegory of the female form (London).

    Google Scholar 

Download references

Authors

Editor information

Editors and Affiliations

Copyright information

© 2000 Palgrave Macmillan, a division of Macmillan Publishers Limited

About this chapter

Cite this chapter

Hewitt, V. (2000). Glamour and Glory: The Symbolic Imagery of Women on Paper Money. In: Donald, M., Hurcombe, L. (eds) Representations of Gender from Prehistory to the Present. Studies in Gender and Material Culture. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-62331-0_9

Download citation

  • DOI: https://doi.org/10.1007/978-1-349-62331-0_9

  • Publisher Name: Palgrave Macmillan, London

  • Print ISBN: 978-1-349-62333-4

  • Online ISBN: 978-1-349-62331-0

  • eBook Packages: Palgrave History CollectionHistory (R0)

Publish with us

Policies and ethics