The Pen and the Eye: The Politics of the Gazing Body

  • Françoise Lucbert
Chapter

Abstract

I open this section, dedicated to the entanglement of vision and textuality as it affects the interaction between discourse and politics, with two quotations from two different genres of contemporary artistic production, both working on the reconciliation of the word and the image, respectively a movie referring to a founding textual tradition (the Bible) and a novel questioning the grounds of visual activity.

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes

  1. 1.
    Paul Auster, The Invention of Solitude (London and Boston, MA: Faber & Faber, 1982), p. 138.Google Scholar
  2. 2.
    See the articles ‘Vision’ and ‘Word’ in the Encyclopedic Dictionary of the Bible, a translation and adaptation of A. van den Bjorn’s Bijbels Woordenboek, by Louis F. Hartman (Turnhout: Usines Brepols, 1963).Google Scholar
  3. 4.
    Linda Nochlin, The Politics of Vision. Essays on Nineteenth-Century Art and Society (New York: Harper & Row, 1989).Google Scholar
  4. 5.
    Lynda Nead, Myths of Sexuality: Representations of Women in Victorian Britain (Oxford: Basil Blackwell, 1988).Google Scholar
  5. Lynda Nead, Myths of Sexuality: Representations of Women in Victorian Britain (Oxford: Basil Blackwell, 1988); Eunice Lipton, Looking into Degas: Uneasy Images of Women and Modern Life (Berkeley, CA: University of California Press, 1986).Google Scholar
  6. 6.
    See the introduction to Linda Nochlin, Women, Art and Power and Other Essays (New York: Harper & Row, 1988).Google Scholar
  7. 7.
    For an exhaustive bibliography on feminist art history, see Thalia Gouma-Peterson and Patricia Matthew, ‘The Feminist Critique of Art History’, The Art Bulletin, LXIX, 3 (Sept. 1987), pp. 326–57.CrossRefGoogle Scholar
  8. 8.
    See Georges Bataille, The Story of the Eye (New York: Urlzen Books, 1977).Google Scholar
  9. 9.
    Michel Foucault, The Order of Things: An Archaeology of the Human Sciences (New York: Pantheon Books, 1971).Google Scholar
  10. 10.
    See Marcel Detienne, ‘L’écriture et les nouveaux objets intellectuels en Grèce’, Les savoirs de l’écriture en Grèce ancienne (Paris: Presses Universitaires de France, 1988) pp. 7–26, esp. p. 10.Google Scholar
  11. 11.
    John Bender, Imagining the Penitentiary. Fiction and Architecture of Mind in Eighteenth-Century England (Chicago, IL and London: The University of Chicago Press, 1987), p. xv.Google Scholar
  12. 13.
    See Maurice Merleau-Ponty, L’oeil et l’esprit (Paris: Gallimard, 1964),Google Scholar
  13. and The Visible and the Invisible (Evanston, IL: Northwestern University Press, 1968).Google Scholar

Copyright information

© Macmillan Publishers Limited 1995

Authors and Affiliations

  • Françoise Lucbert

There are no affiliations available

Personalised recommendations