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The Monarchy: Ideology, Presentation and Ritual

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Part of the book series: New Studies in Medieval History ((NSMH))

Abstract

Bernard Guenée remarked, in the course of a study of the ceremonial of the joyeuse entrée in the late Middle Ages, that ‘the secret of the state’s cohesion should be sought in the minds’ of Frenchmen.1 The purpose of this chapter is to explore the ways — modes of thought, ceremonial, ritual — in which the power of the crown was conceived and visualised in this period. Jacques Krynen has drawn attention to the preoccupation with the growth of public power and the state in late medieval drama (e.g. Le mistère du siege d’Orléans), in poetry (Christine de Pisan, Eustache Deschamps and Guillaume de Machault) as well as in the vast literature on law and rights.2

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Notes

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© 1995 David Potter

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Potter, D. (1995). The Monarchy: Ideology, Presentation and Ritual. In: A History of France, 1460–1560. New Studies in Medieval History. Palgrave, London. https://doi.org/10.1007/978-1-349-23848-4_2

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  • DOI: https://doi.org/10.1007/978-1-349-23848-4_2

  • Publisher Name: Palgrave, London

  • Print ISBN: 978-0-333-54124-1

  • Online ISBN: 978-1-349-23848-4

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