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Social Movements pp 84–109Cite as

Palgrave Macmillan

Dramaturgy and Social Movements: The Social Construction and Communication of Power

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Part of the book series: Main Trends of the Modern World ((MTMW))

Abstract

The sociology of social movements currently lacks a conceptual framework to understand collective attempts to construct and reconstruct definitions of power. This defic-iency highlights a paradox. On the one hand, movement activists devote considerable time articulating their under-standing of power relations. Movement scholars, on the other hand, have generally neglected the processes by which these meanings are developed, sustained, and transformed.

Reprinted from Sociological Inquiry, vol. 62, no. 1 (February 1992), pp. 36–55.

An earlier version of this chapter was presented at the annual meetings of the Society for the Study of Symbolic Interaction, San Francisco, August 1989. We are indebted to Nicholas Babchuk, Jay Corzine, Bill Gamson, Tom Hood, Michael G. Lacy, Michelle Miller, Helen Moore, Dave Snow, Hugh Whitt, Mayer Zald and several anonymous reviewers for their insightful comments and assistance with earlier drafts.

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Authors
  1. Robert D. Enford
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  2. Scott A. Hunt
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Editor information

Editors and Affiliations

  1. Florida Atlantic University, USA

    Stanford M. Lyman (Robert J. Morrow Eminent Scholar and Professor of Social Science) (Robert J. Morrow Eminent Scholar and Professor of Social Science)

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© 1995 Palgrave Macmillan, a division of Macmillan Publishers Limited

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Enford, R.D., Hunt, S.A. (1995). Dramaturgy and Social Movements: The Social Construction and Communication of Power. In: Lyman, S.M. (eds) Social Movements. Main Trends of the Modern World. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-23747-0_6

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