Abstract
In identifying the postmodern in art with a disruption of the move toward self-containment and self-sufficiency, one can readily set a ‘postmodern’ play with appropriated figures and forms against very different kinds of presentation.
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Notes
C. Greenberg, ‘ “American-type” Painting’, in C. Greenberg, Art and Culture: Critical Essays ( Boston, Mass., 1965 ) p. 210.
C. Greenberg, ‘After Abstract Expressionism’, Art International vol. vi, no. 8 (1962) pp. 26–30, esp. p. 30.
C. Greenberg, ‘After Abstract Expressionism’, Art International vol. vi, no. 8 (1962) pp. 26–30, esp. p. 30.
V. Acconci, Recorded documentation by Vito Acconci of the exhibition and commission for San Diego State University, April-May 1982 (audio cassette) ( San Diego, Cal., 1982 ).
M. Fried, ‘Art and Objecthood’, in G. Battcock (ed.), Minimal Art: A Critical Anthology (New York, 1968 ) p. 125.
L. Alloway, ‘Rauschenberg’s Development’, in Smithsonian Institute, Robert Rauschenberg ( Washington, D.C., 1976 ) p. 3.
M. Crichton, Jasper Johns (London, 1977) p. 40.
A. Kaprow, Assemblages, Environments and Happenings (New York, 1966 ) p. 159.
The Reuben Gallery, George Brecht: toward Events announcement of exhibition (New York, 1959).
See, for example, J. Cage, ‘An Interview’, Tulane Drama Review, vol. x, no. 2 (1965) pp. 50–72.
A. Kaprow, ‘Self-Service: a Happening’, Drama Review vol. XII, no. 3 (1968) pp. 160–4, esp. pp. 161–4.
R. Kostalanetz, The Theatre of Mixed Means (New York, 1968) p. 112.
A. Kaprow, ‘Education of the Un-artist, Part Two’, Art News vol. LXXI, no. 3 (1972) pp. 34–9, 62, esp. p. 35.
A. Kaprow and R. Schechner, ‘Extensions in Time and Space’, Drama Review vol. XII, no. 2 (1968) pp. 153–9, esp. p. 154.
A. Kaprow, ‘The Happenings are Dead: Long Live the Happenings’, Artforum vol. Iv, no. 7 (1966) pp. 36–9, esp. p. 39.
A. Kaprow, ‘Non-theatrical Performance’, Artforum vol. xiv, no. 9 (1976) pp. 45–51, esp. pp. 49–50.
J. Van der Marck, ‘George Brecht: an Art of Multiple Implications’, Art in America vol. LXII, no. 4 (1974) pp. 48–57, esp. p. 51.
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© 1994 Nick Kaye
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Kaye, N. (1994). Theatricality and the Corruption of the Modernist Work. In: Postmodernism and Performance. New Directions in Theatre. Palgrave, London. https://doi.org/10.1007/978-1-349-23334-2_3
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