Abstract
Dario Fo is one of the most prolific and best-loved contemporary European playwrights. To speak of his work in terms of ‘text’ is to misunderstand his living art, to speak of it excluding Franca Rame is impossible. As a team, they have worked tirelessly at mounting their scathing, and often hilarious, satires of Italian society and politics. These plays, which are true theatrical events, are aimed at raising the proletariat’s awareness of the suppression of popular culture by the ruling classes, and the necessity of dismantling bourgeois society. In this aim, and often in method, they take their inspiration from the medieval ‘giullare’ (a travelling jester), who sought to combat the ruling class with the potent weapon of laughter. Their work has always been directly linked to the class struggle, in particular the problems of the rights of workers, students, prisoners and women.
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Notes
Lanfranco Binni, Attento Te…! Il teatro politico di Dario Fo (Verona: Bertani, 1975) pp. 222–3.
Franca Rame, in the introduction to Dario Fo’s Can’t Pay? Won’t Pay! (London: Methuen, 1987).
Dario Fo, in Luigi Allegri, Dario Fo: Dialogo provocatorio sul comico, il tragico, la follia e la ragione (Rome and Bari: Laterza, 1990) p. 133.
Dario Fo, Mistero Buffo (Turin: Einaudi, 1977) p. 40.
Dario Fo, Morte accidentale di un anarchico (Turin: Einaudi, 1974) p. 37.
Barbara Schulman, ‘It’s All Bed, Board and Church’, Plays and Players, July 1982, p. 33.
Dario Fo, Tutti Uniti! Tutti Insiemi! Ma scusa, quello non è il padrone? (Turin: Einaudi, 1977) p. 88.
Franca Rame and Dario Fo, Tutta Casa, Letto e Chiesa (Verona: Bertani, 1978) p. 14
Dario Fo, in Dario Fo and Franca Rame Theatre Workshops at Riverside Studios (London: Red Notes, 1983) p. 60.
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© 1994 The Editorial Board, Lumière Cooperative Press Ltd
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Montgomery, A. (1994). The Theatre of Dario Fo and Franca Rame. In: Docherty, B. (eds) Twentieth-Century European Drama. Insights. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-23073-0_14
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