Abstract
The years after 1857 were some of the happiest in Tennyson’s life. The traumas of the Crimean War and of Maud were behind him. He could enjoy the comforts of Farringford, under the protection of Emily, who took charge of everything, acting as secretary as well as housekeeper. Aubrey de Vere thought the poet ‘very greatly blessed in his marriage … He is much happier and proportionately less morbid than he used to be; and in all respects improved’.1 Tennyson was never really at peace for long, however, and Emily had to struggle to maintain a balance between boredom and restlessness. Tennyson established the practice of working in the morning and evening, and walking or talking with friends in the middle of the day.
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Notes
W. Ward, Aubrey de Vere (1904), p. 227.
W.M. Rossetti, The PRB Journal, ed. W.E. Fredeman (Oxford, 1975), p. 72.
M. Lutyens, ed., ‘Letters from John Everett Millais’, Walpole Society, XLIV (1972–4), 15.
W.H. Hunt, Pre-Raphaelitism and the Pre-Raphaelite Brotherhood (London, 1905–6), II, 124–5.
O. Doughty and J.R. Wahl, Letters of D.G. Rossetti (Oxford, 1965), I, 239.
J.O. Hoge, ed., Letters of Emily Tennyson (1974), p. 120.
H. Tennyson, ed., Tennyson and his Friends (1911), p. 292.
See L. Ormond, Tennyson and Thomas Woolner, Tennyson Society Monograph (1981).
M.N. Cohen, ed., Letters of Lewis Carroll, (London, 1979), I, 34.
D. Du Maurier and D.P. Whiteley, eds, The Young George Du Maurier, (London, 1951), p. 112.
L. Ormond, ‘George Frederic Watts: The Portraits of Tennyson’, TRB, IV, ii (1983), 48.
A. Rose, ed., The Germ, (Birmingham, 1984), p. xxvii.
H. Allingham and E.B. Williams, Letters to William Allingham, (London, 1911), p. 104.
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© 1993 Leonée Ormond
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Ormond, L. (1993). Tennyson and the Arts. In: Alfred Tennyson. Macmillan Literary Lives. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-22998-7_7
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