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Theatre as Example

  • Lars Kleberg
Chapter
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Part of the New Directions in Theatre book series (NDT)

Abstract

We saw in the preceding section that the Russian avant-garde launched a theoretical and actual attack on the monument as the prototype of bourgeois art. The static, individual and fetishised statue can be said to represent the negative pole in ‘left’ aesthetics.

Copyright information

© Lars Kleberg 1993

Authors and Affiliations

  • Lars Kleberg

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