Abstract
Blake’s composite figure of God, priest and king — and prototype of the Spectre of the late epics — is variously dubbed ‘Urizen’ and ‘Nobodaddy’. In The Book of Urizen, he is a sublime demon:
His cold horrors silent, dark Urizen
Prepar’d: his ten thousands of thunders
Rang’d in gloom’d array stretch out across
The dread world, & the rolling of wheels
As of swelling seas, sound in his clouds
In his hills of stor’d snows, in his mountains
Of hail & ice; voices of terror
Are heard, like thunders of autumn,
When the cloud blazes over the harvests
(BLI, 3. 27–35)
I perceive that your Eye[s] is perverted by Caricature Prints, which ought not to abound so much as they do. Fun I love but too much Fun is of all things the most loathsom.
(Blake, letter to Dr Trusler)
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Notes and References
H. Bloom, Poetry and Repression (Yale, 1976) p. 48.
B. Webster, Blalke’s Prophetic Psycliology (London, 1983) pp. 140–1.
Cited by Mona Wilson, The Life of William Blake (London, 1978) p. 153.
Letter to Butts, 10 January 1803, CPP, p. 724.
Margaret Storch, ‘The “Spectrous Fiend” Cast Out: Blake’s Crisis at Felpham’, Modern Language Quarterly, vol. 44, No.2 (1983) p. 119.
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© 1993 Steven Vine
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Vine, S. (1993). ‘Twixt earnest & joke’: Poetic Sovereignty. In: Blake’s Poetry: Spectral Visions. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-22619-1_3
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