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Enclosed Structures, Disclosed Lives: The Fictions of Susan Hill

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Contemporary British Women Writers

Abstract

Susan Hill, now concentrating on writing plays and fiction for children, as well as idylls of country life, is chiefly known for a series of intensely realized narratives composed over a brief six-year period:

Quite suddenly, a door opened, something fell into place — it’s hard to know exactly how to put it — and I began to write as I had known somehow that I could. Between 1968 and 1974 — when I look back, I am astonished at how short a time it actually was — I wrote six novels, two collections of short stories, and half a dozen full-length radio plays. (Family, 31)

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A Bibliography of Writings by Susan Hill

Novels

  • The Enclosure (London: Hutchinson, 1961).

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  • Do Me a Favour (London: Hutchinson, 1963).

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  • Gentleman and Ladies (London: Hamish Hamilton, 1968; New York: Walker, 1969).

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  • A Change for the Better (London: Hamish Hamilton, 1969).

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  • I’m the King of the Castle (London: Hamish Hamilton; New York: Viking Press, 1970).

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  • Strange Meeting (London: Hamish Hamilton, 1971; New York: Saturday Review Press, 1972).

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  • The Bird of Night (London: Hamish Hamilton, 1972; New York: Saturday Review Press, 1973).

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  • In the Springtime of the Year (London: Hamish Hamilton, 1974; New York: Saturday Review Press, 1974).

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  • The Woman in Black: A Ghost Story (London: Hamish Hamilton, 1983; Boston: David R. Godine) with illustrations by John Lawrence, 1986.

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  • Air and Angels (London: Sinclair-Stevenson, 1991).

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Short Stories

  • The Albatross and Other Stories (London: Hamish Hamilton, 1971; New York: Saturday Review Press, 1975).

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  • The Custodian (London: Covent Garden Press, 1972).

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  • A Bit of Singing and Dancing (London: Hamish Hamilton, 1973).

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  • ‘Kielty’s’, in Winter’s Tales 20, edited by A. D. MacLean (London: Macmillan;

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  • New York: St. Martin’s Press, 1975).

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Plays

  • The Cold Country and Other plays for Radio (includes The End of Summer, Lizard in the Grass, Consider the Lilies, Strip Jack Naked) (London: BBC, 1975).

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  • On the Face of It (broadcast, 1975). Published in Act I, edited by David Self and Ray Speakman (London: Hutchinson, 1981).

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  • The Ramshackle Company, for children; produced London, 1981.

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  • Chances, broadcast, 1981; produced London, 1983.

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Radio Plays

  • Miss Lavender is Dead (1970); Taking Leave (1971); A Change for the Better (1971); The End of Summer (1971); Lizard in the Grass (1971); The Cold Country (1972); White Elegy (1973); Consider the Lilies (1973); A Window on the World (1974); Strip Jack Naked (1974); Mr Proudham and Mr Sleight (1974); On the Face of It (1975); The Summer of the Giant Sunflower (1977); The Sound that Time Makes (1980); Here Comes the Bride (1980); Out in the Cold (1982); Autumn (1985); Winter (1985).

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Television Play

Other

  • The Magic Apple Tree: A Country Year (London: Hamish Hamilton, 1982; American edition: New York: Holt Rinehart, 1983).

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  • Through the Kitchen Window (London: Hamish Hamilton, 1984).

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  • One Night at a Time (for children) (London: Hamish Hamilton, 1984).

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  • Bell, Adrian, Corduroy, introduction by Susan Hill (London and New York: Oxford University Press, 1986).

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  • The Lighting of the Lamps (a collection of essays, introductions, reviews, and plays) (London: Hamish Hamilton, 1987).

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  • Shakespeare Country, with photographs by Robert Talbot in association with Robin Whiteman (London: Michael Joseph, 1987).

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  • Spirit of the Cotswolds (London: Michael Joseph, 1988; New York: Viking, 1988).

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  • Family (London: Michael Joseph, 1989).

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  • Autobiographic Statement. Programme notes to the Fortune Theatre production of The Woman in Black (London: A Proscenium Production, 1989).

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  • ‘Reliving a Glorious Pasf [The Shining Company by Rosemary Sutcliff; Shadown Under the Sea by Geoffrey Trease; Jo in the Middle by Jean Ure; The Haunted Sand by Hugh Scott; The Conjuror’s Game by Catherine Fisher; Double Vision by Diana Hendry], The Sunday Times (15 July 1990): 8; 14. (A composite review by Susan Hill.)

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Edited Collections

  • Hardy, Thomas, The Distracted Preacher and Other Tales, edited by Susan Hill (London: Penguin, 1979).

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  • New Stories 5, edited by Susan Hill and Isabel Quigly (London: Hutchinson, 1980).

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  • People: Essays and Poems, edited by Susan Hill (London: Chatto and Windus, 1983).

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  • Ghost Stories, edited by Susan Hill (London: Hamish Hamilton, 1983).

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  • The Walker Book of Ghost Stories, ed. by Susan Hill (London: Walker, 1990). Published in the United States as The Random House Book of Ghost Stories, ed. by Susan Hill (New York: Random House, 1991).

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A Bibliography of Writings about Susan Hill

  • Atwood, Margaret, ‘In the Springtime of the Year’, New York Times Book Review (5 May 1974): 7.

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  • Bann, Stephen, ‘Mystery and Imagination: The Woman in Black by Susan Hill and illustrated by John Lawrence’, London Review of Books (17–30 November 1983): 12.

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  • Brett, Guy, ‘Home Truths: New Works by Susan Hill’, Studio International, 1012,(1986): 60–1.

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  • Christiansen, Eric, ‘The Magic Apple Tree’, The Spectator (15 May 1982): 20.

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  • Clare, Dr Anthony, ‘Raw Material’, from the interview with Susan Hill ‘In the Psychiatrist’s Chair’, Listener (1 September 1988): 14–15.

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  • De ‘Ath, Wilfred, ‘The Springtime of Susan Hill’, Illustrated London News 262 (May 1974): 51–2.

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  • Fainwright, Ruth, ‘The Albatross and Other Stories’, Times Literary Supplement (5 March 1971): 261.

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  • Hunter, Jim, ‘A Bit of Dancing and Singing’, Listener (29 March 1973): 423–4.

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  • Ireland, K. P., ‘Rite at the Center: Narrative Duplication in Susan Hill’s In the Springtime of the Year’, Journal of Narrative Technique, Eastern Michigan University, (Fall, 1983): 172–80.

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  • Jackson, Rosemary, ‘Cold Enclosures: the Fiction of Susan Hill’, Twentieth-Century Women Novelists, ed. Thomas F. Staley (New Jersey: Barnes and Noble, 1982): 81–103.

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  • Muir, Kenneth, ‘Susan Hill’s Fiction’, The Uses of Fiction: Essays on the Modern Novel in Honour of Arnold Kettle, ed. Douglas Jefferson and Graham Martin (Milton Keynes: Open University Press, 1982): 274–85.

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  • Nightingale, Benedict, ‘A Change for the Better’, Observer (21 September 1969): 23.

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  • Theroux, Paul, ‘The Bird of Night’, The New York Times Book Review (27 May

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  • 1973): 26.

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  • Times Literary Supplement (anonymous), ‘Gentleman and Ladies’, (9 September 1962): 129.

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  • Times Literary Supplement (anonymous), ‘Strange Meeting’, 29 October 1971): 1355.

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  • Times Literary Supplement (anonymous), ‘Weathering the Calm’, (25 January 1974): 69.

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  • Tomalin, Claire, ‘Strange Meeting, a Gallery of Types’, Observer (17 October 1971): 33.

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  • Tomalin, Claire, ‘The Albatross and Other Stories’, Observer (14 February 1971): 24.

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  • Thwaite, Anthony, ‘The Bird of Night’, Observer (20 January 1974): 26.

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  • Trotter, Stewart, ‘The Albatross and Other Stories’, Listener (11 February 1971): 185.

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  • Van Greenway, Peter, ‘Gentlemen [sic] and Ladies’, New York Times Book Review (30 March 1969).

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  • Waugh, Auberon, ‘The Bird of Night’, Spectator (16 September 1972): 434.

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Interviews

  • BBC Radio 4, Dr Anthony Clare talked to Susan Hill ‘In the Psychiatrist’s Chair’ (31 August 1988).

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Miscellaneous

  • Contemporary Literary Criticism, Volume 4, 226–8.

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  • Contemporary Novelists 4th Edition, 417–18.

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  • Dictionary of Literary Biography, Volume 14. Catherine Wells Cole, ‘Susan Hill’ (Detroit, 1983): 394–400.

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© 1993 Robert E. Hosmer Jr.

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Hofer, E.H. (1993). Enclosed Structures, Disclosed Lives: The Fictions of Susan Hill. In: Hosmer, R.E. (eds) Contemporary British Women Writers. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-22565-1_7

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