Abstract
An anonymous canzone in the Biblioteca Nazionale in Florence ascribed to ‘one of the arroti [co-opted members] of the Accademia degli Umidi of Florence’ and connected with ‘a play performed this Carnival in Lyon’ (i.e. the Carnival of 1542) has long been attributed to the sixteenth-century Florentine Academician Cosimo Bartoli on the basis of little more than the punning circle (‘cosmo‘) drawn at the head of a couple of fairly puzzling lines of verse preceding the canzone itself.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Further Reading
von Albertini, R., Firenze dalla repubblica al principato, storia e coscienza politica, trans. C. Cristofolini (Turin, 1970).
Cochrane, E., Florence in the Forgotten Centuries, 1527–1800: a history of Florence and the Florentines in the age of the Grand Dukes (Chicago, 1973).
Diaz, F., Il Granducato di Toscana. I Medici (Turin, 1976).
Les Fêtes de la Renaissance, vols. I and II, ed. J. Jacquot (Paris, 1956, 1960), vol. III edd. J. Jacquot and E. Konigson (Paris, 1975).
Firenze e la Toscana dei Medici nell’Europa del Cinquecento, Consiglio d’Europa, Sedicesima Esposizione Europea di Arte, Scienza e Cultura (Florence, 1980), see volume entitled Il potere e lo spazio. La scena del principe.
Gascon, R., Grand Commerce et vie urbaine au XVIesiècle: Lyon et ses marchands, 2 vols (Paris, The Hague, 1971).
Hale, J. R., Florence and the Medici: the pattern of control (London, 1977).
Jeffery, B., French Renaissance Comedy 1552–1630 (Oxford, 1969).
Lazard, M., Le Théâtre en France au XVIesiècle (Paris, 1980).
Lebègue, R., Études sur le théâtre français (Paris, 1977).
Plaisance, M., ‘Culture et politique à Florence de 1542 à 1551: Lasca et les Humidi aux prises avec l’Académie Florentine’, in A. Rochon (ed.), Les Écrivains et le pouvoir en Italie à l’epoque de la Renaissance (deuxième série) (Paris, 1974), pp. 149–242.
‘La Politique Culturelle de Côme 1er et les fètes annuelles à Florence de 1541 à 1550’, in J. Jacquot and E. Konigson (edd.), Les Fêtes de la Renaissance, vol. III (Paris, 1975) pp. 133–52.
‘Une Première Affirmation de la politique culturelle de Côme 1er: la transformation de l’Académie des ‘Humidi’ en Académie Florentine (1540–42)’, in A. Rochon (ed.), Les Écrivains et le pouvoir en Italie à l’époque de la Renaissance (première série) (Paris, 1973) pp. 36–438.
Radcliff-Umstead, D., The Birth of Modern Comedy in Renaissance Italy (Chicago, 1969).
Zorzi, L., ‘Il teatro e il Principe’, in C. Vasoli (ed.), Idee, istituzioni, scienza ed arti nella Firenze dei Medici (Florence, 1980).
Editor information
Editors and Affiliations
Copyright information
© 1991 J. R. Mulryne and Margaret Shewring
About this chapter
Cite this chapter
Bryce, J. (1991). The Theatrical Activities of Palla di Lorenzo Strozzi in Lyon in the 1540s. In: Mulryne, J.R., Shewring, M. (eds) Theatre of the English and Italian Renaissance. Warwick Studies in the European Humanities. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-21736-6_3
Download citation
DOI: https://doi.org/10.1007/978-1-349-21736-6_3
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-21738-0
Online ISBN: 978-1-349-21736-6
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)