Abstract
To date, almost every interpretation of The Turn of the Screw takes either the apparitionist stance (the ghosts are real, the governess sane) or the non-apparitionist (the ghosts are unreal, figments of the governess’s diseased imagination). Many source studies (above) argue for an apparitionist reading, and while it is an oversimplification to say that all interpretative studies which argue for the ghosts’ reality are New Critical in nature, it is a fact that most of them are, either entirely or in part. Non-apparitionist readers often tend to be psychological critics; if the governess can be proved insane, one need not argue the reality of the ghosts. Conversely, if the ghosts are real, the best way to prove it is through the New Critical technique of linking myriad bits of evidence to reveal a central and incontrovertible truth that has nothing to do with any individual’s perception.
13 New criticism (apparitionist)
Evans, Oliver, ‘James’s Air of Evil: The Turn of the Screw’, Partisan Review 16 (1949), pp. 175–87; reprinted in A Casebook on Henry James’s ‘The Turn of the Screw’ (ed.) Gerald Willen, 2nd ed. (New York, 1969), pp. 200–11.
Heilman, Robert, ‘The Turn of the Screw as Poem’, University of Kansas City Review 14 (1948); reprinted in Casebook.
Hoffman, Charles G., ‘Innocence and Evil in James’s The Turn of the Screw’, University of Kansas City Review 20 (1953), pp. 97–105; reprinted in Casebook pp.212–32.
Jones, Alexander E., ‘Point of View in The Turn of the Screw’, Publications of the Modern Language Association 74 (1959), pp. 112–22; reprinted in Casebook pp. 298–318.
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© 1991 David Kirby
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Kirby, D. (1991). New criticism (apparitionist). In: The Portrait of a Lady and The Turn of the Screw. The Critics Debate. Palgrave, London. https://doi.org/10.1007/978-1-349-21424-2_14
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