Abstract
Emily Dickinson’s gothic poems are perhaps her most startling challenge to the symbolic order. They are transgressive poems of great energy which explore taboo states usually excluded from consideration. In these poems the speakers spare the reader no excess in their relish of the macabre, as a selection of first lines suggests: ‘As by the dead we love to sit’ (88); ‘Do People moulder equally,/They bury, in the Grave?’ (432) or ‘If I may have it, when it’s dead.’ (577) In many poems, the dead simply refuse to lie down; witty, garrulous corpses relentlessly address the reader from deathbed or grave: ‘’Twas just this time, last year, I died’ (445); ‘I heard a Fly buzz — when I died —’ (465); ‘I died for Beauty —’ (449). In others the speaker confronts an unknown self and experiences ‘A doubt if it be Us’ (859).
Don’t put us in narrow graves — we shall certainly rise if you do, and scare you most prodigiously, and carry you off perhaps! (L 35)
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Notes
Edward Young, The Complaint, or Night Thoughts (New York, Johnston and Van Norden, 1826), pp. 100, 82.
Tom Chetwynd, A Dictionary of Symbols (London, Paladin, 1982), p. 397.
Claire Kahane, ‘The Gothic Mirror’, in The (M)other Tongue: Essays in Feminist Psychoanalytic Interpretation (Ithaca and London, Cornell University Press, 1985), pp. 347, 336.
Gillian Beer, ‘Ghosts’, Essays in Criticism, vol. 28 (July, 1978), p. 260.
Julia Kristeva, Powers of Horror: An Essay on Abjection (New York, Columbia University Press, 1982), p. 109.
Rosemary Jackson, Fantasy: The Literature of Subversion (London and New York, Methuen, 1981), pp. 91, 180.
Jessica Benjamin, ‘The Bonds of Love: Rational Violence and Erotic Domination’, in The Future of Difference, edited by Hester Eisenstein and Alice Jardine (New Brunswick, New Jersey, Rutgers University Press, 1985), p. 50.
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© 1991 Joan Kirkby
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Kirkby, J. (1991). The Gothic Mode: ‘’Tis so appalling — it exhilarates —’. In: Emily Dickinson. Women Writers. Palgrave, London. https://doi.org/10.1007/978-1-349-21307-8_5
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DOI: https://doi.org/10.1007/978-1-349-21307-8_5
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