For most of this chapter I shall discuss the kind of British detective writing which became established between the World Wars: what Colin Watson and Julian Symons call its ‘Golden Age’. In evoking a separate realm of literary innocence, the phrase chimes in well with W. H. Auden’s ‘Great Good Place’, C. Day Lewis’s ‘fairytale’, and George Orwell’s game of cricket; as well as with William Empson’s account of popular literature generally in this period as a ‘version of pastoral’.1
KeywordsDetective Story Country House Detective Fiction Separate Realm Leather Boot
Unable to display preview. Download preview PDF.