Abstract
Sophocles’s Oedipus the King has acquired a special importance to our culture for two reasons only partly dependent on its merits as a play. The first is that it was the main model on which Aristotle based the generalisations of The Poetics, the founding work of Western literary theory. The second is that, as a text and not just as a story, it is the reference point for Freud’s theory of the Oedipus complex, and hence a cornerstone of psychoanalysis. The fact that it also has a strong formal resemblance to a detective story makes it a natural focus of attention in a discussion of the relations between detective fiction and literature.
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Notes
See Augusto Boal, Theatre of the Oppressed, trs. C. A. and M. O. Leal McBride (London, 1979) pp. 1–50.
John R. Reed, ‘English Imperialism and the Unacknowledged Crime of The Moonstone’, CLIO, vol. 2 (1973) pp. 281–90.
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© 1991 Martin Priestman
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Priestman, M. (1991). Oedipus and Aristotle; Freud and The Moonstone. In: Detective Fiction and Literature. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-20987-3_2
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DOI: https://doi.org/10.1007/978-1-349-20987-3_2
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