Abstract
The Vampire Tapestry1 is an innovative exploration of the horror genre by Suzy McKee Charnas, American author of the feminist dystopia Walk to the End of the World and its disturbing and ambiguous sequal, Motherlines. Horror literature, like all fantasy,2 has the potential to be either a radical exploration of contemporary definitions of the ‘real’ or a conservative affirmation of that ‘real’, via the political ideologies (of gender, race, class) operative in the text. In this essay I analyse Charnas’s textual inflections of these ideologies, principally through her characterisaton of the vampire. This characterisation is remarkable for Charnas’s sophisticated manipulation of textual polyphony, characteristically foregrounded in the fantasy text. Accordingly, her characterisation of the vampire is subject to neither humanist reductionism nor generic stereotyping. Instead Charnas constructs him as a fragmented consciousness, the decentred subject, characteristic of the fantastic in its most radically interrogative mode. By tracing Charnas’s textual strategies and their ideological consequences, I present a case for The Vampire Tapesty as an example of the use of generic fiction by a politically committed writer to raise fundamental debate about social and political ideologies within a popular and accessible fictional format.
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Notes
Suzy McKee Charnas, The Vampire Tapestry (London: Granada, 1983). Page references are given in the text.
For valuable discussions of fantasy literature and the horror genre, and their conventions, see Rosemary Jackson, Fantasy: The Literature of Subversion (London: Methuen, 1981);
David Punter, The Literature of Terror: A History of Gothic Fiction from 1765 to the Present Day (London: Longman, 1980);
and M. M. Bakhtin, The Dialogic Imagination, ed. M. Holquist and C. Emerson (Austin: University of Texas Press, 1981).
See my essay ‘Sexual Politics and Political Repression in Bram Stoker’s Dracula’, in Clive Bloom, Brian Docherty, Jane Gibb and Keith Shand (eds), Nineteenth-Century Suspense: From Poe to Conan Doyle (London: Macmillan, 1988).
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© 1990 Palgrave Macmillan, a division of Macmillan Publishers Limited
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Cranny-Francis, A. (1990). De-fanging the Vampire: S. M. Charnas’s The Vampire Tapestry as Subversive Horror Fiction. In: Docherty, B. (eds) American Horror Fiction. Insights. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-20579-0_10
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DOI: https://doi.org/10.1007/978-1-349-20579-0_10
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