Abstract
While the structure of the industry that was to endure until the 1950s had largely emerged by 1925, not all the big companies that were to dominate Hollywood from the 1930s had yet established themselves as major powers. Four other companies soon forced themselves into strong positions in a market which Paramount, First National and Loew’s (Metro-Goldwyn-Mayer) dominated.
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Notes and References
Douglas Gomery, ‘Writing the History of the American Film Industry: Warner Brothers and Sound’, Screen, 17, 1 (Spring 1976) p. 46;
Charles Higham, Warner Brothers (New York: Charles Scribner’s Sons, 1975) pp. 40–5.
Robinson, p. 18; Alexander Walker, The Shattered Silents (London: Elm Tree Books, 1978) p. 5.
William K. Everson, American Silent Film (New York: Oxford UP, 1978) pp. 290–1.
Douglas Gomery, ‘Failure and Success: Vocafilm and RCA Photophone Innovate sound’, Film Reader, 2 (1977) pp. 215–17.
Richard Maltby, ‘The Political Economy of Hollywood: The Studio System’, in Philip Davies and Brian Neve (eds), Cinema, Politics and Society in America (Manchester UP, 1981) pp. 46–8.
Norman Mailer, The Armies of the Night (Harmondsworth: Penguin Books, 1968) p. 167.
Walker, p. 82; John Shepherd, Tin Pan Alley (London: Routledge & Kegan Paul, 1982) pp. 84–6.
Fred E. Basten, Glorious Technicolor (London: Thomas Yoseloff, 1979) pp. 40–1, 46.
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© 1988 Kenneth John Izod
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Izod, J. (1988). The Coming of Sound, 1926–29. In: Hollywood and the Box Office, 1895–1986. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-19324-0_7
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DOI: https://doi.org/10.1007/978-1-349-19324-0_7
Publisher Name: Palgrave Macmillan, London
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