Swift’s satiric and ironic essays, chapters and passages, and his straightforward essays, are more dialectical in style than Swift studies heretofore have shown, dialectical analyses of literature not only having fallen behind rhetorical analyses but indeed being virtually nonexistent. Swift’s style is due a dialectical analysis, and the importance of the dialectical tradition in literature calls for exposition. What here is provided for Swift can be done for any of a number of authors from the period when dialectic was the foundation of university studies and of philosophy and theology, from before the time of Chaucer to the time of Blake. An exploratory exposition would naturally settle on a competitive age of pamphlet warfare, a time when writers were conscious of what they considered the perfection of prose and verse styles in the land, and an age of satire. Dryden, Locke, Steele and others of their period could supply the examples, but Swift best shows the persistent use of dialectic and, as the best satirist, he shows one of the main contentions of this inquiry: that satire, rather than using logic or dialectic, is in fact an adjunct of dialectic, is the child of disputation.
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- Her reference is to W. Risse, Die Logik der Neuzeit. Band L 1500–1640 (Stuttgart-Bad Connstatt, 1964).Google Scholar
- See also W. Risse, Bibliographia Logica. I. 1472–1800 (Hildesheim, 1965).Google Scholar
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- R. S. Crane seems to have been the first to suggest the significance of textbooks in analysing Swift’s writings in his essay ‘The Houyhnhnms, the Yahoos, and the History of Ideas’, 1st pub. in Reason and the Imagination: Essays in the History of Ideas, 1600–1800, ed. J. R. Mazzeo (New York: Columbia University Press, 1962)Google Scholar
- reprinted in R. S. Crane, The Idea of the Humanities and Other Essays, Critical and Historical (University of Chicago Press, 1967) vol. II, pp. 261–82.Google Scholar
- For all the valuable and often recognised service of Crane in pointing to the logic Swift studied at Trinity College, few have stated as accurately as J. E. Gill ‘the background which Crane presents seems to this writer to be inadequate’, in ‘Man and Yahoo: Dialectic and Symbolism in Gulliver’s “Voyage to the Country of the Houyhnhnms”’, in The Dress of Words: Essays on Restoration and Eighteenth-Century Literature in Honor of Richmond P. Bond, ed. R. B. White, University of Kansas Library Series no. 42 (1978) p. 89 n. 16.Google Scholar
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- ch. 3 of J. M. Bullitt, Jonathan Swift and the Anatomy of Satire (Cambridge, Mass.: Harvard University Press, 1953), contains useful insights into Swift’s use of logic to gain powerful satiric effect, but the chapter, as its title suggests, has a rhetorical rather than a dialectical emphasis.CrossRefGoogle Scholar
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- J. Kellerman, ‘Comedy, Satire, Dialectics’, unpublished PhD thesis, State University of New York at Buffalo, 1977 — a focus on Molière’s Misanthrope in terms of comedy, satire and Hegelian dialectics; J. E. Gill, ‘Man and Yahoo’, in Dress of Words, cited above (note 5).Google Scholar