Skip to main content

Formalist criticism

  • Chapter
  • 17 Accesses

Part of the book series: The Critics Debate

Abstract

By ‘formalist criticism’ I mean a broad critical approach which seeks to understand a work of fiction by attending to the way the author’s imaginative vision inheres in the novel in a significant form. However, the precise meaning of the term ‘form’ depends upon the particular critic’s focus of interest. The influential formalist school of New Criticism, for instance, isolates the text for examination, separating it both from its author’s intentions and from the reader’s response. The text is abstracted from its social and historical contexts, and is regarded as a distinct artefact, which possesses its own inner coherence and complex organic unity. And clearly the genre most appropriate as the subject of this methodology is poetry.

This is a preview of subscription content, log in via an institution.

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Authors

Copyright information

© 1987 Geoffrey Harvey

About this chapter

Cite this chapter

Harvey, G. (1987). Formalist criticism. In: Sons and Lovers. The Critics Debate. Palgrave, London. https://doi.org/10.1007/978-1-349-18507-8_6

Download citation

Publish with us

Policies and ethics