Abstract
Motivated by the high financial rewards available to the author of a long-running play, Conrad often dallied with the idea of writing for the theatre and at various times planned a number of adaptations of his fiction, alone or in collaboration, not all of which came to fruition. His one-act play One Day More, adapted from his short story ‘To-morrow’, was produced in London in 1905; according to one of Conrad’s letters. George Bernard Shaw, who was enjoying a considerable success as a dramatist at that time, was ‘enthusiastic’ (the same letter adds modestly, but not too modestly, ‘I don’t think I am a dramatist’). A limited edition appeared in 1919 and another edition (New York) in 1920. Another short story, ‘Because of the Dollars’, was dramatized by Conrad in 1921 under the title Laughing Anne; this play in two acts seems never to have been produced on the stage, though it was printed in 1923 and also filmed. Also in 1921 Conrad had privately printed a dramatization in four acts of his novel The Secret Agent, and a different version in three acts was produced in London in November of the following year. It ran for only a few performances, but Conrad claimed to be ‘affected … not at all’ by the unfavourable reviews it received: ‘I was amused by their touching unanimity in damning the play.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Copyright information
© 1986 Norman Page
About this chapter
Cite this chapter
Page, N. (1986). Plays. In: A Conrad Companion. Macmillan Literary Companions. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-18093-6_10
Download citation
DOI: https://doi.org/10.1007/978-1-349-18093-6_10
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-18095-0
Online ISBN: 978-1-349-18093-6
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)