Abstract
The phrase ‘spiritual patriots’, originally coined by Evelyn Underhill in her 1912 Introduction to The Cloud of Unknowing,1 is perhaps, the most helpful phrase to use when describing the patriotism of someone like T. S. Eliot. But it can also be misleading. Eliot’s ‘spiritual’ patriotism did not prevent him, for example, from an immediate and active involvement in the war effort. And, after 1938, he became, if anything, more concerned than ever with social and political issues. But the full integrity of a civilised life in England (or, perhaps, one should say rather, the possibility of such integrity) Eliot saw as being threatened by the general collapse of religious and spiritual values throughout Europe. The war, in his view, with all its attendant horror, was but the merest symptom of this collapse. Eliot’s immediate aim was ‘to find new spiritual energies to regenerate and vitalize our sick society’.2 This search led him back to the sources of European wisdom and most notably, at one period, to the English medieval tradition of mysticism.3Evelyn Underhill wrote in 1912:
The little family of mystical treatises which is known to stu- dents as ‘the Cloud of Unknowing group’, deserves more attention than it has hitherto received from English lovers of mysticism; for it represents the first expression in our tongue of that great mystic tradition of the Christian Neoplatonists which gathered up, remade, and ‘salted with Christ’s salt’ all that was best in the spiritual wisdom of the ancient world.4
Let us take one of the commonest manifestations of natural mysticism, patriotism…
(Henri Bremond, Prayer and Poetry, 1924)
All the last three Quartets are in a sense war poems…
(T. S. Eliot, ‘T. S. Eliot Talks about his Poetry’, 1958)
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Notes
T. S. Eliot, ‘Tradition and the Individual Talent’, The Sacred Wood (1920) p. 48.
See T. S. Eliot, a review of Poetry at Present by Charles Williams, in Criterion, ix. 37 (July 1930) p. 786.
T. S. Eliot, ‘The Unfading Genius of Rudyard Kipling’, in Elliot L. Gilbert (ed.), Kipling and the Critics (London, 1966 ) p. 123.
See T. S. Eliot, ‘A Commentary’, Criterion, iv. 4 (October 1926) p. 628.
See T. S. Eliot, ‘A Commentary’, Criterion, xv. 60 (April 1936) pp. 462 – 3.
See Rudyard Kipling, ‘The Bridge Builders’ in The Day’s Work, vol. xiii of The Writings in Prose and Verse of Rudyard Kipling (London, 1899) pp. 3–55.
See T. S. Eliot, ‘Introduction’, in Samuel L. Clemens (Mark Twain), The Adventures of Huckleberry Finn (London, 1950) pp. xiixiii; emphasis added.
Rudyard Kipling, ‘The Wandering Jew’, in The Phantom Rickshaw and Other Stories, vol. v of The Writings in Prose and Verse of Rudyard Kipling (London, 1898) p. 318.
T. S. Eliot, ‘Kipling’, in A Choice of Kipling’s Verse (London, 1941 ) pp. 23 – 4.
See T. S. Eliot, ‘Reflections on Contemporary Poetry [I]’, The Egoist, w. 8 (September 1917) p. 119.
B. C. Southam, A Student’ls Guide to the Selected Poems of T. S. Eliot (London, 1981) p. 25. See also p. 86.
See F. O. Matthiessen, The Achievement of T. S. Eliot (New York, 1958 ) pp. 92 – 3.
See Christopher Hassal, Rupert Brooke: A Biography (London, 1964) p. 504. (The letter in question was written to Sybil Pye.)
See T. S. Eliot, “John Dryden”, Listener, m.66 (16 April 1930 ) p. 689.
Author information
Authors and Affiliations
Copyright information
© 1991 Paul Murray
About this chapter
Cite this chapter
Murray, P. (1991). The Language of Patriotism: Rudyard Kipling and Rupert Brooke. In: T. S. Eliot and Mysticism. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-13463-2_11
Download citation
DOI: https://doi.org/10.1007/978-1-349-13463-2_11
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-0-333-61406-8
Online ISBN: 978-1-349-13463-2
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)