Abstract
It is not always easy to write about Margaret Oliphant, for the good reason that very few people have read her. Her books have been out of print for most of this century and, even among students of Victorian and Scottish literature, there is a widespread impression that she was an unimportant figure. On the other hand, those people who have read her almost all agree that, at her best, she was a magnificent novelist. In the last few years, some of her work has come back into print and more may follow. Her ghost stories ‘The Open Door’ and ‘The Library Window’, and her novel Kirsteen — all of them based in Scotland, incidentally — are the best places to begin.
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Notes
Margaret Oliphant, ‘Laurence Oliphant’, Blackwood’s, February 1889.
Margaret Oliphant, Royal Edinburgh (1890), p. 455.
Andrew L. Drummond and James Bulloch, The Scottish Church 1688–1843 (1973), p. 45.
Margaret Oliphant The Literary History of England 1790–1825 (1882), vol. 1, p. 98.
Margaret Oliphant, Autobiography and Letters (1899), chapter 1.
Margaret Oliphant, ‘John Stuart Blackie’, Blackwood’s, April 1895.
Henry James, London Notes August 1897.
Q. D. Leavis, Introduction to Miss Marjoribanks (London: Chatto and Windus, 1969 ).
Margaret Oliphant The Ladies Lindores (1883), chapter 2.
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© 1993 Norman Page and Peter Preston
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Williams, M. (1993). The Scottish Stories of Margaret Oliphant. In: Page, N., Preston, P. (eds) The Literature of Place. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-11505-1_6
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DOI: https://doi.org/10.1007/978-1-349-11505-1_6
Publisher Name: Palgrave Macmillan, London
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