Abstract
Having examined a representative selection of farces, we are now in a better position to consider what seem to be the recurrent characteristics of the genre.
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Notes
Simon Callow, Being An Actor (London, 1985) p. 180.
Brian Rix, My Farce From My Elbow (London, 1975) p. 216.
J. Gassner, E. Quin, Readers Encyclopedia of World Drama (London, 1970) p. 265.
Maurice Charney, Joe Orton (London, 1984) p. 87.
John Lahr, Prick Up Your Ears (London, 1978) p. 15.
Leonard C. Pronko, Eugène Labiche and Georges Feydeau, (London, 1982) p. 167.
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© 1989 Leslie Smith
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Smith, L. (1989). Conclusion. In: Modern British Farce. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-09759-3_9
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DOI: https://doi.org/10.1007/978-1-349-09759-3_9
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-09761-6
Online ISBN: 978-1-349-09759-3
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