Farce and Contemporary Drama: I

  • Leslie Smith

Abstract

Farce for many people still remains synonymous with the Whitehall and post-Whitehall variety studied in Chapters 4 and 5. That variety, I’ve attempted to show, is well worth serious critical attention. But, since Orton, farce has become a much more available option to the so-called ‘serious’ dramatist, and the kind of compart-mentalisation represented by equating farce with one particular species of it seems less and less feasible.

Keywords

Smoke Valium Hunt Bedding Alan 

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Bibliography

  1. Peter Shaffer, Black Comedy (Samuel French, 1967).Google Scholar
  2. Alan Ayckbourn, Three Plays (Penguin Books, 1979).Google Scholar
  3. Tom Stoppard, Dirty Linen & New-Found-Land (Faber, 1976).Google Scholar
  4. Michael Frayn, Noises Off (Methuen, 1976) (Brief references to Griffith’s Comedians and Beckett’s Waiting for Godot are taken from the Faber editions, 1976 and 1965 respectively.)Google Scholar

Copyright information

© Leslie Smith 1989

Authors and Affiliations

  • Leslie Smith
    • 1
  1. 1.Polytechnic of North LondonUK

Personalised recommendations