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Abstract

When Kipling returned from India to England he took lodgings in a down-at-heel area of London. From his window he witnessed one day a particularly brutal incident:

Once I faced the reflection of my own face in the jet-black mirror of the window panes for five days. When the fog thinned, I looked out and saw a man standing opposite the pub where the barmaid lived: on a sudden his breast turned dull red like a robin’s, and he crumpled, having cut his throat. In a few minutes — seconds it seemed — a hand-ambulance arrived and took up the body. A pot boy with a bucket of steaming water sluiced the blood off into the gutter, and what little crowd had collected went its way.1

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Notes

  1. Rudyard Kipling, Something of Myself (London, 1937) pp. 86–7.

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  2. See Paul D. Sherman, Colour Vision in the Nineteenth Century (Bristol, 1981) p. 72.

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  3. Brent Berlin and Paul Kay, Basic Color Terms ( Berkeley and Los Angeles, Calif, 1969 ) p. 94.

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  4. Quoted by Bernard Harrison, Form and Content (Oxford, 1973) p. 103.

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© 1988 Richard Cronin

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Cronin, R. (1988). Dull Red. In: Colour and Experience in Nineteenth-Century Poetry. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-09556-8_2

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