Abstract
When Kipling returned from India to England he took lodgings in a down-at-heel area of London. From his window he witnessed one day a particularly brutal incident:
Once I faced the reflection of my own face in the jet-black mirror of the window panes for five days. When the fog thinned, I looked out and saw a man standing opposite the pub where the barmaid lived: on a sudden his breast turned dull red like a robin’s, and he crumpled, having cut his throat. In a few minutes — seconds it seemed — a hand-ambulance arrived and took up the body. A pot boy with a bucket of steaming water sluiced the blood off into the gutter, and what little crowd had collected went its way.1
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Notes
Rudyard Kipling, Something of Myself (London, 1937) pp. 86–7.
See Paul D. Sherman, Colour Vision in the Nineteenth Century (Bristol, 1981) p. 72.
Brent Berlin and Paul Kay, Basic Color Terms ( Berkeley and Los Angeles, Calif, 1969 ) p. 94.
Quoted by Bernard Harrison, Form and Content (Oxford, 1973) p. 103.
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© 1988 Richard Cronin
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Cronin, R. (1988). Dull Red. In: Colour and Experience in Nineteenth-Century Poetry. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-09556-8_2
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