Abstract
In the early months of 1918 Owen decided on the subject of his poetry, stating it in his Preface in the spring as ‘War, and the pity of war’. In settling on the subject of ‘pity’ he was returning to the beliefs of the Romantics, although he was no doubt also influenced by Hardy and the new direction in Sassoon’s work. His 1918 poetry has a resonance of feeling, language and ideas which comes from his knowledge of the Romantic poets; whereas his pleasure in being ‘held peer by the Georgians’ at the end of 1917 soon ceased to represent an ambition to write in an exclusively Georgian way, his allegiance to his first masters had never faltered. His thoughts about the subject and function of his poetry in 1918 are reflected in his plans for publishing a book; the fragmentary Preface and two lists of contents which he drafted in the spring can be seen as a commentary on the poems he was writing at the time.
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Notes
Wordsworth, Preface to Lyrical Ballads (1802). CL, 544 (public attention was on the German breakthrough at St Quentin), 524 (Hamel), 542 (Wordsworth wrote three poems to the ‘small’ celandine). Murry (1921). CL, 543 (numbs), 581 (charred).
Symons, To the Merchants of Bought Dreams’, Poems (1906) n, 175. BL1, 15.
English Elegies, etc.: titles on verso of first list of contents (CPF, 538; cf. JS, 265, and CL, 561 n. 3, an inaccurate note). Lang: see Ch. 6., n. 32, above. Milton, Gray: Bäckman (1979) 40–3. Tennyson: DH, WO (1975) 32–3; In Memoriam, cxxix.
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© 1986 Dominic Hibberd
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Hibberd, D. (1986). The Pity of War. In: Owen the Poet. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-07698-7_8
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DOI: https://doi.org/10.1007/978-1-349-07698-7_8
Publisher Name: Palgrave Macmillan, London
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