Abstract
The expected word is ‘urbanity’: the ‘urbanity’ of Jonson, as a poet at least, has become something of a cliche. The locus classicus is F. R. Leavis’s chapter on ‘The Line of Wit’ in Revaluation. In this he talks about Jonson’s versions of Catullus:
Come my Celia, let us prove,
While we may, the sports of love
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Notes
F. R. Leavis, Revaluation (London, 1936.
T. S. Eliot, Selected Essays (London, 1932; reprinted 1948) p. 282.
G. B. Shaw, Plays and Players, ed. A. C. Ward (London, 1952) p. 107.
E. Wilson, ‘Morose Ben Jonson’, in The Triple Thinkers (New York, 1948).
T. K. Whipple, Martial and the English Epigram (Berkeley, Calif., 1925) pp. 386ff.
W. A. McClung, The Country House and English Renaissance Poetry (Berkeley, Los Angeles, Calif., and London, 1977) pp. 9–11, 123–31.
See M. Girouard, Life in the English Country House (New Haven, Conn., and London, 1978) p. 189.
C. R. Baskervill, English Elements in Jonson’s Early Comedy (Austin, Texas, 1911) p. 77.
Ian Donaldson, The World Upside-Down (Oxford, 1970) pp. 24–45.
W. W. Greg, Pastoral Poetry and Pastoral Drama (London, 1906) p. 313.
W. Prynne, Canterburies Doome (1646) pp. 128–54.
C. Hill, Society and Puritanism in Pre-Revolutionary England (New York, 1967) ch. v.
S. R. Gardiner, The Constitutional Documents of the Puritan Revolution, 1625–1660, 3rd ed. (Oxford, 1906) p. 101.
Christopher Whitfield, Robert Dover and the Cotswold Games (London and New York, 1962).
R. Williams, The Country and the City (London, 1973) p. 28.
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© 1983 Australian National University
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Bamborough, J.B. (1983). The Rusticity of Ben Jonson. In: Donaldson, I. (eds) Jonson and Shakespeare. The Humanities Research Centre/Macmillan Series. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-06183-9_9
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