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Introduction

  • J. R. Watson

Abstract

In 1861, during the composition of Silas Marner, George Eliot wrote to her publisher, John Blackwood:

I don’t wonder at your finding my story, as far as you have read it, rather sombre: indeed, I should not have believed that any one would have been interested in it but myself (since William Wordsworth is dead) if Mr. Lewes had not been strongly arrested by it.1

Keywords

Religious Experience French Revolution Moral Evil Lost Paradise Assertion Gain 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Notes and References

  1. 1.
    The George Eliot Letters, ed. Gordon S. Haight (New Haven and London, 1954–5) III. 382;Google Scholar
  2. quoted in Robert H. Dunham, ‘Silas Marner and the Wordsworthian Child’, Studies in English Literature, XVI (1966) pp. 645–59. I am indebted to this article for pointing out the significant connections between Wordsworth and George Eliot which I have used here.Google Scholar
  3. 2.
    Biographia Literaria, ed. J. Shawcross (Oxford, 1907) II. 6.Google Scholar
  4. 4.
    Wallace Jackson, ‘Wordsworth and his predecessors: Private Sensations and Public Tones’, Criticism, XVII (1975) pp. 41–58.Google Scholar
  5. 5.
    S. T. Coleridge, Lay Sermons, ed. R.J. White (London, 1972) p. 30.Google Scholar
  6. 7.
    Quoted by Helen Darbishire, The Poet Wordsworth (Oxford, 1950) p. 49.Google Scholar
  7. 8.
    ‘The Sparrow’s Nest’, printed in Jared R. Curtis, Wordsworth’s Experiments with Tradition (Ithaca and London, 1971) p. 197.Google Scholar
  8. 9.
    The Complete Works of Percy Bysshe Shelley, ed. R. Ingpen and W. E. Peck (London, 1965) VII. 112.Google Scholar
  9. 11.
    ‘Interview with Peter Redgrove’, by Jed Rasula and Mike Erwin, Hudson Review XXVIII (1975) pp. 377–401.CrossRefGoogle Scholar
  10. 12.
    E. W. Heaton, The Old Testament Prophets (Harmondsworth, 1958) p. 130.Google Scholar
  11. 13.
    Barbara Gates, ‘The Prelude and the Development of Wordsworth’s Historical Imagination’, Etudes Anglaises, XXX (1977) pp. 169–78.Google Scholar
  12. 16.
    W. J. T. Mitchell, ‘Style and Epistemology: Blake and the Movement toward Abstraction in Romantic Art’, Studies in Romanticism, 16 (1977) p. 146.CrossRefGoogle Scholar
  13. 17.
    See John Alban Finch, ‘Wordsworth’s Two-Handed Engine’, Bicentenary Wordsworth Studies, ed. J. Wordsworth (Ithaca and London, 1970) pp. 1–13.Google Scholar
  14. 18.
    Philip Wheelwright, The Burning Fountain (Bloomington and London, 1966) pp. 18–19.Google Scholar
  15. 20.
    Mircea Eliade, The Sacred and the Profane (New York, 1959) p. 14.Google Scholar
  16. 21.
    Lyrical Ballads, ed. by R. L. Brett and A. R. Jones (London, 1963) p. 252.Google Scholar

Copyright information

© J. R. Watson 1982

Authors and Affiliations

  • J. R. Watson

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