Abstract
The rise of Africanist ideology in Haiti is a classic example of the way a yearning for the ideals of national liberation and cultural autonomy could congeal into politically absolutist solutions. According to Frank Kermode’s definition this meant the degeneration of literary fiction into the ‘sequence of radically unchangeable gestures’ implied by myth. The emergence of the Griot movement in the 1930s and its theories of racial determinism provides the link between literary activity and authoritarian politics that emerged in post-Occupation Haiti.
Fictions can degenerate into myths whenever they are not consciously held to be fictive. In this sense anti-Semitism is a degenerate fiction, a myth … Myth operates within the diagrams of ritual, which presupposes total and adequate explanations of things as they are and were; it is a sequence of radically unchangeable gestures1
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Notes
Frank Kermode, The Sense of an Ending (New York: Oxford University Press, 1967) p. 39.
François Duvalier, Extraits des Oeuvres Ethnographiques (Port-au-Prince: L’Etat, 1963) pp. 13–14.
Maurice Casséus, Les Griots, vol. 4, no. 4 and vol. 1, no, 1, Apr.–Sept. 1939, 534.
Claude Fabry, L’âme du lambi (Port-au-Prince: Telhomme, 1937).
Arthur Holly, Les Daimons du culte voudo (Port-au-Prince: Pub. 1918–1919) p. 1.
Jacques Roumain, La proie et l’ombre (Port-au-Prince; La Presse, 1930) pp. 17–18.
Félix Morisseau-Leroy, Récolte (Port-au-Prince: Haitiennes, 1946) p. 30.
René Piquion Un chant nouveau (Port-au-Prince: L’Etat, 1940) p. 47.
Arthur Bonhomme, Les tendances d’une génération (Port-au-Prince: Collection des Griots, 1934) p. 151.
Dudley Fitts, Anthology of Contemporary Latin American Poetry (Norfolk, Va.; New Directions, 1942) p. 290.
Charles Pressoir, Au rythme des coumbites (Port-au-Prince: La Presse, 1933).
Léon Laleau, ‘Les moins de trente’, La Relève, no. 1, 1 July 1933, 23.
Léon Laleau, Ondes Courtes (Port-au-Prince: L’Etat, 1933).
Léon Laleau, Musique nègre (Port-au-Prince: Indigène, 1931).
S. Senghor, Anthologie de la nouvelle poésie nègre et malgache de langue française (Paris: Presses Universitaires de France, 1969) p. xix.
François Duvalier (éd.), Eléments d’une doctrine (Port-au-Prince: Oeuvres Essentielles, 1966) p. 326.
Duvalier et Denis, ‘L’essentiel de la doctrine des griots’, Les Griots, vol. 2, no. 2, Oct.–Dec. 1938, 153.
Les Griots, vol. 2, no. 2, Oct.–Dec. 1938, 155.
Cari Brouard, ‘Mes entretiens avec Ariste’, Oedipe, 10 Dec. 1931.
Cari Brouard, Pages retrouvées (Port-au-Prince: Panorama, 1963) p. 126.
Les Griots, vol. 3, no. 3, Jan.–Mar. 1939, 334.
Les Griots, vol. 2, no. 1, July–Sept. 1938, 18.
Tony Duchemin, ‘Le cri du nègre’, Optique, no. 16, June 1955, 49.
Jean Brierre, ‘En tombent les murailles de Chine’, collected in Maurice Lubin’s L’Afrique dans la poésie haitienne (Port-au-Prince; Panorama, 1965) p. 80.
Jean Brierre, Gerbe pour deux amis (Port-au-Prince: Henri Deschamps, 1945) p. 20.
Roussan Camille, Assaut à la nuit (Port-au-Prince: L’Etat, 1940).
Regnor Bernard, Nègre!!! (Port-au-Prince: Telhomme, 1945).
Jean Brierre, Black Soul (Havana: Lex, 1947).
René Bélance, Luminaires (Port-au-Prince: Morissett, 1941) pp. 21–2.
Sténio Vincent, En posant les jalons (Port-au-Prince: L’Etat, 1939) pp. 153–4.
Dantès Bellegarde, Haiti et ses problèmes (Montréal: Valiquette, 1941) p. 17.
Langston Hughes, ‘Some Practical Observations’, Phylon, vol. xi, no. 4, 1950, 307.
Quoted in Thomas Melone’s De la négritude dans la littérature négro-africaine (Paris: Présence Africaine, 1962) p. 37.
For a good discussion of Griot ideology cf. David Nicholls ‘Ideology and Political Protest in Haiti’, Journal of Contemporary History, vol. 9, no. 4, 1974.
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© 1981 J. Michael Dash
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Dash, J.M. (1981). The Way Through Africa: A Study of Africanism in Haiti. In: Literature and Ideology in Haiti, 1915–1961. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-05670-5_4
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