Abstract
Pound’s ‘obsession’ with money and usury has been well documented, and is generally dismissed as the main root of all his ‘aberrations’. I should like to show that, on the contrary, his lifelong concern with money and economics not only provides a key to his system of thought — in which, indeed, it rationalises certain important delusions — but also reveals an attempt to inscribe the moving and complex signature of his name in the world of history and art. An ultimate self-reference underlies the scattered allusions to actual facts and theories and ties up his ‘voice’ to an idiomatic writing. Although it sounds a little too complacent to agree wholeheartedly with Allen Ginsberg that Pound’s economics are ‘right’,2 one can asseverate that they stimulate an understanding of our world in a manner both novel and perplexing; moreover, if they are at times inextricably confused, they are never boring, and the source-books to which the reader is directed prove worth reading. Obviously, one never reads Pound for his economic theories only, but any reading which would try to discard them as an unnecessary adjunct to the gems or lyrical purple patches would fail by Pound’s own standards: it would overlook the wish to create a totalitarian synthesis of culture, and remain blind to the particular strategies dictated by the nature of the text.
What is the meaning of ‘useful’? … What is capable of use in the hands of some persons, is capable in the hands of others, of the opposite of use, called commonly ‘from-use’ or ‘abuse’ … . Thus, wine, which the Greeks in their Bacchus, made, rightly, the type of all passion, and which, when used, ‘cheereth god and man’ (that is to say, strengthens both the divine life, or reasoning power, and the earthly, or carnal power of man); yet, when abused, becomes ‘Dionusos’, hurtful especially to the divine part of man, or reason. And again, the body itself, being equally liable to use and to abuse, and, when rightly disciplined, serviceable to the state, both for war and labour; but when not disciplined, or abused, valueless to the State, and capable only of continuing the private or single existence of the individual (and that but feebly) — the Greeks called such a body an ‘idiotic’ or ‘private’ body, from their word signifying a person employed in no way directly useful to the state; whence, finally, our ‘idiot’, meaning a person entirely occupied with his own concerns. (John Ruskin, ‘Ad Valorem’, Unto this Last1)
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Notes
John Ruskin, Unto This Last (London: Dent, 1907) Essay IV, pp. 170–1.
Kurt Heinzelman, The Economics of the Imagination (Amherst: University of Massachussetts Press, 1980) p. 269.
Brooks Adams, The Law of Civilization and Decay (London: Swan, Sonnenschein, 1895) p. 294.
See also Hugh Witemeyer, ‘Ruskin and the Signed Capital in Canto 45’, Paideuma, vol. IV, no. 1 (Spring 1975) pp. 85–88.
See Philippe Jaudel, La Pensée Sociale de John Ruskin, Thèse Paris IV, (Lille, 1972), for a detailed analysis of Ruskin’s economics.
John Ruskin, The Political Economy of Art (New York: John Wiley, 1870). References are given in the text.
See above all Marc Shell, The Economy of Literature (Baltimore: Johns Hopkins University Press, 1978) and Eva Hesse, Ezra Pound, Von Sinn und Wahnsinn, for a discussion of these terms in relation to Pound.
I have also used Arnaud Berthoud, Aristote et l’argent (Paris: Maspéro, 1981).
Cf. Daniel Pearlman’s fascinating and provocative paper ‘Ezra Pound: America’s Wandering Jew’, Paideuma, vol. IX, no. 3 (Winter 1980) pp. 461–80.
André Pézard, Dante sous la Pluie de Feu (Paris: Vrin, 1950).
Christopher Hollis, The Two Nations. A Financial Study of English History (London, Routledge, 1935) pp. 251–2.
See Jacques Derrida, ‘La pharmacie de Platon’, La Dissémination (Paris: Seuil, 1972).
Karl Marx, Das Kapital. Kritik der politischen Ökonomie, in Karl Marx and Friedrich Engels, Werke (Berlin: Dietz, 1970) vol. 23, p. 513.
Karl Marx, Capital: A Critical Analysis of Capitalist Production, trs. from the 3rd German edn by S. Moore and E. Aveling (London: Allen and Unwin, 1938) p. 780. (Edition originally published 1889.)
Jürgen Habermas, Technik und Wissenschaft als ‘Ideologie’ (Frankfurt: Suhrkamp, 1968) p. 163.
Silvio Gesell, The Natural Economic Order, trs. Philip Pye (London: Peter Owen, 1958) p. 372.
On this point, see Eva Hesse, Ezra Pound, von Sinn und Wahnsinn, pp. 198–222; and, for a more detailed presentation of the Proudhon-Marx controversy, Eva Hesse, Die Wurzeln der Revolution, Theorien der individuellen und der kollektiven Freiheit (Munich: Hanser, 1974) pp. 336–73.
I quote from Karl Marx, Capital vol. III (Moscow: Foreign Language Publishing House, 1962) p. 583.
See John T. Noonan’s useful synthesis, The Scholastic Analysis of Usury (Cambridge, Mass.: University of Massachusetts Press, 1957) pp. 53–4 and passim.
Gianni Toniolo, L’Economia dell’ Italia Fascista (Rome: Laterza, 1980) pp. 183–6.
Mary de Rachewiltz, Discretions. Ezra Pound, Father and Teacher (New York: New Directions, 1975) p. 70.
R. H. Tawney, Religion and the Rise of Capitalism (Harmondsworth: Penguin, 1966) p. 55. (Originally published 1926.)
A.R. Orage, ‘Social Credit’, The Social Credit Pamphleteer (London: Stanley Nott, 1935) pp. 12–13.
John Maynard Keynes, The General Theory of Employment, Interest and Money (London: Macmillan, 1964) pp. 353–8.
See also Earle Davis, Vision Fugitive. Ezra Pound and Economics (Lawrence: University Press of Kansas, 1968) pp. 60–7.
A. R. Orage, An Alphabet of Economics (London, Fisher Unwin, 1917) p. 90.
See also Hilaire Belloc, Economics for Helen (London: Arrowsmith, 1924).
Remy de Gourmont, ‘La dissociation des idées’ (1899), in La Culture des Idées, pp. 65–7.
The Social Crediter, 28 July 1945, quoted by Dennis Klinck in ‘Pound, Social Credit, and the Critics’, Paideuma, vol. IV, nos. 2–3 (Fall and Winter 1975) p. 234.
Alexander del Mar, A History of Monetary Systems (New York: Kelley, 1969). (Originally published 1895.)
For a survey of psychoanalytical theories of money since Freud, see Ernest Borneman, Psychoanalyse des Geldes (Frankfurt: Suhrkamp, 1973),
to be contrasted with the classic by Norman O. Brown, Life against Death (London: Sphere, 1968).
Pound, Postscript to Remy de Gourmont, The Natural Philosophy of Love, trs. Pound (New York: Rarity Press, 1931) p. 170.
For a modern development of the same idea from a psychoanalytical point of view, see Tobie Nathan, La Psychanalyse et son Double. La Copulation des insectes est l’Actualisation de nos Fantasmes Sexuels (Claix: La Pensée Sauvage, 1979).
Joseph Needham, Science and Civilization in China, vol. 2: History of Scientific Thought (Cambridge: Cambridge University Press, 1962) p. 150, n.a.
Cf. Ian F. A. Bell, Critic as Scientist. The Modernist Poetics of Ezra Pound (London: Methuen, 1981) pp. 211–16.
See Bernhard Karlgren, Analytic Dictionary of Chinese and Sino-Japanese (New York: Dover, 1974) p. 240. (Originally published 1923.)
Del Mar refers here to his Science of Money, (1885; repr. Hawthorne: Omni Publications, 1967): the quotation is the title of ch. 8.
See Alexander del Mar, A History of Monetary Crimes (1899; repr. Hawthorne: Omni Publications, 1967).
Eva Hesse, ‘Answer to Question 14’, Paideuma, vol. II, no. 1 (Spring 1973) p. 144.
See Derrida’s ‘La pharmacie de Platon’, in La Dissemination, and Jean-Luc Nancy, ‘Le ventriloque’, in Mimesis Desarticulations (Paris, Aubier-Flammarion, 1975) pp. 308–334.
Charles Norman, The Case of Ezra Pound (New York: Funk and Wagnall, 1968) p. 29.
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© 1986 Jean-Michel Rabate
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Rabaté, JM. (1986). Poundwise: Towards a General Critique of Economy. In: Language, Sexuality and Ideology in Ezra Pound’s Cantos. Language, Discourse, Society. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-05210-3_6
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