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Language and Theme

  • Michael Scott

Abstract

Much of The Fawn is about language; its use and abuse at court. If, as Jonson held, ‘Language most shewes the man; speake that I may see thee’, what language shows us in The Fawn is a gallery of fops and fools in love with sound but ignorant of meaning.

Keywords

Verbal Language Foreign Accent Medieval Tradition Moral Ambival Verbal Portrait 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Notes

  1. 1.
    See also Donna B. Hamilton, ‘Language as Theme in The Dutch Courtesan’, Renaissance Drama, v (1972) pp. 75–87.Google Scholar
  2. 2.
    Theodore Spencer, ‘John Marston’, The Criterion, xiii, no. 53 (1934) pp. 583–4.Google Scholar
  3. 3.
    Charles Lamb, Specimens of English Dramatic Poets (London, 1897) p. 66.Google Scholar
  4. 4.
    Terence Hawkes, Shakespeare’s Talking Animals (London, 1973) p. 27.Google Scholar
  5. 5.
    Una Ellis Fermor, The Jacobean Drama, 5th edition (London, 1965) p. 78.Google Scholar
  6. 8.
    Peter Brook, The Empty Space, Pelican edition (London, 1972) p. 59.Google Scholar
  7. 10.
    A. C. Swinburne, The Age of Shakespeare (London, 1908 ) pp. 145–6.Google Scholar

Copyright information

© Michael Scott 1978

Authors and Affiliations

  • Michael Scott

There are no affiliations available

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