Abstract
The young Brecht hated Bolshevism as being too orderly and regimented (Tb., 61: 12.9.20). His intellectual attitudes were undisciplined: he doubted his ability to keep to a single philosophical system (Tb., 32: 24.8.20). The less rigid and more meditative quality of oriental thought had more appeal to him; he discovered an affinity with Lao Tzu as soon as introduced to his work (Tb., 66: 21.9.20). Oriental aspects can be seen in such poems as Of swimming in lakes and rivers (8,209; B. Poems, 29), where the individual progressively abandons himself to the influence of water and becomes an aquatic object with no will of his own to contradict nature. A nihilism or cynicism typical of the twenties is also visible. His early works show a keen sense of the morbidity of nature alongside the wish for communion with it;1 the nauseating and the attractive are not separated. Similarly, a sharp awareness of man’s proclivities to exploit and terrorise man does not exclude a romantic wish to see mankind brought closer to perfection. Marxism is a means to that end.
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Notes
See Robert Brustein: The Theatre of Revolt, London 1965, pp. 252f.
See Klaus-Detlef Müller: Die Funktion der Geschichte im Werk Benoit Brechts, Tübingen 1972, p. 68.
Käthe Rülicke-Weiler: ‘Bemerkungen Brechts zur Kunst, Notate 1951–1955’, Weimarer Beiträge, Brecht-Sonderheft 1968, 5–11, p. 8.
See Heinz Brüggemann: Literarische Technik und soziale Revolution, Reinbek 1973, pp. 76ff.
André Müller and Gerd Semmer: Geschichten vom Herrn B., 99 Brecht—Anekdoten, Frankfurt 1967, p. 37.
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© 1978 Alfred D. White
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White, A.D. (1978). Brecht’s Ways of Thought. In: Bertolt Brecht’s Great Plays. Palgrave, London. https://doi.org/10.1007/978-1-349-03278-5_2
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