Abstract
The Private Papers of Henry Rycroft (1903) occupies a special place in Gissing’s work, as the expression of the dream of perfect release that has haunted all his creative life. Since the present argument has been that Gissing’s value lies in the tensions and frictions and unresolved contradictions of his writing, it will be clear that the Utopian calm so affectionately figured here can only be considered as a deplorable but logical capitulation. Nevertheless, if it can be seen in the context of Gissing’s work as a whole, it does him no disservice. For it illuminates in retrospect the courage and passion with which his finest writing has resisted the deep temptation to indulged withdrawal.
Preview
Unable to display preview. Download preview PDF.
Notes
Allan Monkhouse, ‘George Gissing’, Manchester Quarterly (April 1905); reprinted in Coustillas and Partridge (eds), Critical Heritage, p. 467.
Copyright information
© 1975 Adrian Poole
About this chapter
Cite this chapter
Poole, A. (1975). Conclusion: Gissing’s Great Good Place. In: Gissing in Context. Palgrave, London. https://doi.org/10.1007/978-1-349-02530-5_9
Download citation
DOI: https://doi.org/10.1007/978-1-349-02530-5_9
Publisher Name: Palgrave, London
Print ISBN: 978-1-349-02532-9
Online ISBN: 978-1-349-02530-5
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)