Abstract
Perhaps no other Italian city offered such opportunities to artists as Rome, where the papal court returned in 1420 and remained except for the years 1434–43. The following selections reflect the style and munificence of the exalted clerical patronage of popes and cardinals; they cannot convey the volume of it.
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© 1970 Palgrave Macmillan, a division of Macmillan Publishers Limited
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Chambers, D.S. (1970). Patronage of the Papal Court. In: Patrons and Artists in the Italian Renaissance. History in Depth. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-00623-6_3
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DOI: https://doi.org/10.1007/978-1-349-00623-6_3
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-00625-0
Online ISBN: 978-1-349-00623-6
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